Hello and congrats on completing lesson one. My name is Rob and I'm a teaching assistant for Drawabox who will be handling your lesson one critique. Starting with your superimposed lines these are off to a fine start. You are keeping a clearly defined starting point with all of your wavering at the opposite end. Your ghosted lines and planes turned out well. You are using the ghosting method to good effect to get confident linework with a pretty decent deal of accuracy that will get better and better with practice.

Your tables of ellipses are coming along well. You are doing a good job drawing through your ellipses and focusing on a consistent smooth ellipse shape. This is carried over nicely into your ellipses in planes although you are deforming some of your ellipses at times. https://drawabox.com/lesson/1/17/deformed You are compromising your overall ellipse shape by adjusting for accuracy midstroke. Try and rely a bit more on the muscle memory of the motion you build up while ghosting and almost make your mark without thinking. This will be less accurate at first. Although accuracy is our end goal it can't really be forced and tends to come through mileage and consistent practice more than anything. Your ellipses in funnels are looking smoother overall and I'm not seeing any real issues with these. There is still room for improvement when it comes to your ellipses both in terms of overall consistency of shape and smoothness,especially on larger diameters, so make sure you keep practicing these in your warmups as they can take a while to get used to.

The plotted perspective looks great, nothing to mention here. Your rough perspective exercises turned out pretty well. You are getting mostly confident linework here along with some wobble creeping back into some of your lines. https://drawabox.com/lesson/1/13/wobbling This is probably happening because you are more concerned with accuracy now that you are constructing boxes and you are slowing down your stroke to compensate. That hesitation because of your concern for accuracy while making your mark is what is reintroducing the wobble into your lines. Try and rely a bit more on the muscle memory you build up while ghosting your mark and almost make your mark without thinking. This will be less accurate at first but will give you consistently smooth and confident linework which is our first priority. Accuracy will come with mileage and can't really be forced. Looking at a lot of your exercises and your added line weight definitely seems to be a bit overkill. So I have some notes regarding added line weight I'd like to share. If you want to add line weight make sure you don't revert back to using your wrist and are drawing from your shoulder with confidence. Also added line weight should be subtle so try and only go over a line one additional time instead of multiple times. You are doing a good job extending the lines back on your boxes to check your work. As you can see some of your perspective estimations were quite off but that will become more intuitive with practice. One thing that can help you a bit when doing a one point perspective exercise like this is to realize that all of your horizontal lines should be parallel to the horizon line and all of your verticals should be perpendicular(straight up and down in this case) to the horizon line. This will help you avoid some of the slanting lines you have in your constructions.

Your rotated box exercise turned out pretty well. I like that you drew this nice and big as that really helps when dealing with complex spatial problems. You also did a good job drawing through your boxes and keeping your gaps narrow and consistent. While the rotations here aren't perfect this was a good effort overall. The more you draw and develop your spatial thinking ability the easier these rotations are to handle. This is a great exercise to come back to after a few lessons to see how much your spatial thinking ability has improved. Your organic perspective exercises are looking pretty good. You seem to be getting comfortable using the ghosting method and drawing from your shoulder for confident linework for the most part. The main issue with your box exercises that I've noticed is an overuse of added line weight. I've given notes to help with that earlier but I would highly recommend just getting more into the habit of putting down a single confident line and leaving it alone. Your work will look much cleaner overall. Your box constructions are fairly solid for the most part and I can see you are developing a sense for how box lines converge to vps. There are still some wonky convergences here and there so the 250 box challenge will be a great next step for you.

Overall this was a solid submission that showed a good deal of growth. Keep working on confident linework and try and tone down your usage of added lineweight. Otherwise, I think you are understanding most of the concepts these lessons are trying to convey quite well. I'm going to mark this as complete and good luck with the 250 box challenge. Keep up the good work!