Lesson 1: Lines, Ellipses and Boxes

3:24 PM, Monday May 16th 2022

DrawABox Lesson 1 Submission - Album on Imgur

Direct Link: https://i.imgur.com/n3DXR5g.jpg

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To avoid potential confusion, I did go through some of the course a few years back and that's why you'll probably see other homework submissions before this one, so I'm starting fresh again as it's been awhile!

12:45 AM, Tuesday May 17th 2022

Hello and congrats on completing lesson one. My name is Rob and I'm a teaching assistant for Drawabox who will be handling your lesson one critique. Starting with your superimposed lines these are off to a fine start. You are keeping a clearly defined starting point with all of your wavering at the opposite end. Your ghosted lines and planes turned out well. You are using the ghosting method to good effect to get confident linework with a pretty decent deal of accuracy that will get better and better with practice.

Your tables of ellipses are coming along pretty good. You are doing a good job drawing through your ellipses and focusing on consistent smooth ellipse shapes. This is carried over nicely into your ellipses in planes. It's great that you aren't overly concerned with accuracy and are instead focused on getting smooth ellipse shapes. Although accuracy is our end goal it can't really be forced and tends to come with mileage and consistent practice more than anything else. Your ellipses in funnels are having some issues with tilting off the minor axis. https://drawabox.com/lesson/1/14/notaligned This is something you should always start considering when drawing your ellipses. Your ellipses are off to a great start but there's still room for improvement so keep practicing them during your warmups.

The plotted perspective looks great, nothing to mention here. Your rough perspective exercises turned out pretty well. You are getting mostly confident linework here along with a slight bit of wobble creeping back into some of your lines. https://drawabox.com/lesson/1/9/wobbling That hesitation because of your concern for accuracy while making your mark is what is reintroducing the wobble into your lines. Try and rely a bit more on the muscle memory you build up while ghosting your mark and almost make your mark without thinking. This will be less accurate at first but will give you consistently smooth and confident linework which is our first priority. Accuracy will come with mileage and can't really be forced. This is probably happening because you are more concerned with accuracy now that you are constructing boxes and you are slowing down your stroke to compensate. Not a big problem but something to think about. You are doing a good job extending the lines back on your boxes to check your work. As you can see some of your perspective estimations were quite off but that will become more intuitive with practice. One thing that can help you a bit when doing a one point perspective exercise like this is to realize that all of your horizontal lines should be parallel to the horizon line and all of your verticals should be perpendicular(straight up and down in this case) to the horizon line. This will help you avoid some of the slanting lines you have in your constructions.

Your rotated box exercise turned out pretty well. I like that you drew this nice and big as that really helps when dealing with complex spatial problems. You also did a good job drawing through your boxes and keeping your gaps narrow and consistent. You are running into a pretty common issue of not actually rotating your boxes in some cases(mainly the top and bottom you are getting rotation on the left and right side) but instead simply drawing them moving back in perspective. https://drawabox.com/lesson/1/17/notrotating This is a great exercise to come back to after a few lessons to see how much your spatial thinking ability has improved. Your organic perspective exercises are looking pretty good. You seem to be getting comfortable using the ghosting method and drawing from your shoulder for confident linework which is great. Your box constructions are quite solid for the most part and you already seem to have a solid grasp on how box lines need to converge to vps which makes sense considering you've worked through some of this material before. That said some of your convergences could definitely be improved so the 250 box challenge will be a great next step for you.

Overall this was a really solid submission that showed a nice deal of growth. Your line confidence and ellipses are both coming along nicely. I think you are understanding most of the concepts these lessons are trying to convey quite well. I'm going to mark this as complete and good luck with the 250 box challenge. Keep up the good work!

Next Steps:

The 250 Box Challenge

This critique marks this lesson as complete.
2:04 AM, Tuesday May 17th 2022

Hi Rob!

Thank you very much for the insight, I'll keep these in mind and continuing to practice them as I move forward!

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Framed Ink

Framed Ink

I'd been drawing as a hobby for a solid 10 years at least before I finally had the concept of composition explained to me by a friend.

Unlike the spatial reasoning we delve into here, where it's all about understanding the relationships between things in three dimensions, composition is all about understanding what you're drawing as it exists in two dimensions. It's about the silhouettes that are used to represent objects, without concern for what those objects are. It's all just shapes, how those shapes balance against one another, and how their arrangement encourages the viewer's eye to follow a specific path. When it comes to illustration, composition is extremely important, and coming to understand it fundamentally changed how I approached my own work.

Marcos Mateu-Mestre's Framed Ink is among the best books out there on explaining composition, and how to think through the way in which you lay out your work.

Illustration is, at its core, storytelling, and understanding composition will arm you with the tools you'll need to tell stories that occur across a span of time, within the confines of a single frame.

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