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3:46 PM, Saturday December 11th 2021
Hi Soarinskies,
LINES
1) Good pen positioning, lines are only fraying on one side. However, a lot of your longer lines are wobbling. Draw from your shoulder, ghost plenty, and draw with utmost confidence! Try not to focus too much on accuracy and course correction, don't guide your hand to the endpoint, even if the line isn't 100% accurate.
2) Your ghosted lines are accurate, but again, try to reduce the wobbling and don't worry about accuracy.
3) Not much problem with ghosted planes other than some wobbly linework. Good job
ELIPSES
1) Good placement and sizing in table of elipses. But your elipses are wobbling and getting deformed, the same tips to fix your lines work here as well! Try to ghost until your lines until your arm feels like it is automatically repeating that motion
2) Same thing with your elipses in planes wobbling and being a bit deformed.
3) Your funnels are great!
BOXES
1) Nice plotted perspective.
2) Well done Rough perspective.
3) I think your rotation and spacing in rotated boxes are spot-on. Just use a bit more space, you'll notice that a big part of these exercises is not being afraid of using plenty of space. There are of course perspective mistakes but they don't matter much right now so don't fret.
4) Your organic perspective on the first page is pretty good, but you went absolutely HAM on the second page. It gets really messy and confusing, and you can't really tell what is ahead of what. This is mainly due to 2 reasons:-
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Your initial guiding line is too complex and curves too much, keep it simple. Just a couple curves.
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Your boxes are also too long at times.
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Although this is optional, you could've used lineweight to clean things up.
Regards,
Noodlecake
Next Steps:
All I want you to redo are the two pages of organic perspective, reply to this with your revisions and I'll review it!
The Science of Deciding What You Should Draw
Right from when students hit the 50% rule early on in Lesson 0, they ask the same question - "What am I supposed to draw?"
It's not magic. We're made to think that when someone just whips off interesting things to draw, that they're gifted in a way that we are not. The problem isn't that we don't have ideas - it's that the ideas we have are so vague, they feel like nothing at all. In this course, we're going to look at how we can explore, pursue, and develop those fuzzy notions into something more concrete.