View Full Submission View Parent Comment
3:08 PM, Friday October 23rd 2020

The point about either cutting in or building on applies in general - basically don't zigzag across that earlier edge. Think of it as though, in the case of leaves/petals, like you have a physical flat material in front of you. Whatever you do is going to either attach to the existing structure, or you're going to cut back into it - but the previous phase of construction is still going to have considerable influence on the result. It's not a suggestion you can choose to follow where it suits you - it's a solid part of the construction that you're working with.

3:30 PM, Friday October 23rd 2020

Ah alright, so I theoretically can do both but not combine it in a wired mix by zigzagging across my previous construction.

Thanks!

4:50 PM, Friday October 23rd 2020

Yup, that's correct.

The recommendation below is an advertisement. Most of the links here are part of Amazon's affiliate program (unless otherwise stated), which helps support this website. It's also more than that - it's a hand-picked recommendation of something I've used myself. If you're interested, here is a full list.
Color and Light by James Gurney

Color and Light by James Gurney

Some of you may remember James Gurney's breathtaking work in the Dinotopia series. This is easily my favourite book on the topic of colour and light, and comes highly recommended by any artist worth their salt. While it speaks from the perspective of a traditional painter, the information in this book is invaluable for work in any medium.

This website uses cookies. You can read more about what we do with them, read our privacy policy.