I've noticed that you have posted all the way up to Lesson 4 without waiting for feedback. Although this is not a hard requirement or even enforceable, I strongly recommend you wait for feedback before continuing your Drawabox journey so that you can get the most out of this site (as explained in Lesson 0). If you are having trouble receiving feedback, I would recommend going to the critique channel in the Drawabox Discord server.
With that out of the way, I am going to start with a critique for your Lesson 1.
Your Superimposed Lines are looking mighty fine!
There were a few of your ghosted lines that looked a bit wobbly. This doesn't seem to be a major issue with your lines in general, but I would look for it nonetheless.
Your ellipses look very good in your tables, but not all of them are being drawn through. It looks like you corrected this issue yourself as you moved on however.
Many of your ellipses look deformed in the Ellipses in Planes exercise. Try drawing them more confidently. Smoothness should be your top priority.
Your Funnels are looking pretty good. There is a bit of looseness on some of your ellipses, but it doesn't seem to be a major issue.
Your Plotted Perspective, Rough Perspective, Rotated Boxes, and Organic Perspective are all looking good. No corrections for those!
I think that you did a fine job with these exercises, so I am going to move on to your next assignment. Please do not take this as an excuse to move on without feedback however, as I still believe that it will greatly benefit you.
Thanks for taking your time for this review ill make the corrections on the elipses.
Extra elipses planes https://imgur.com/a/paJUHj8
Great job with these!
Thanks for the help (sorry for the delay)
While I have a massive library of non-instructional art books I've collected over the years, there's only a handful that are actually important to me. This is one of them - so much so that I jammed my copy into my overstuffed backpack when flying back from my parents' house just so I could have it at my apartment. My back's been sore for a week.
The reason I hold this book in such high esteem is because of how it puts the relatively new field of game art into perspective, showing how concept art really just started off as crude sketches intended to communicate ideas to storytellers, designers and 3D modelers. How all of this focus on beautiful illustrations is really secondary to the core of a concept artist's job. A real eye-opener.
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