1 users agree
1:48 AM, Monday May 16th 2022

Your linework is pretty solid.

For the "plotted perspective," you were supposed to use a pen to draw the line back to the vanishing point, but it looks like you used a pencil for that.

The horizon line is tilted a little in some of your drawings, so you could work to make them more level.

Make sure your boxes' lines converge at a vanishing point. you can go over your previously drawn boxes and fix them to get better.

Good job!

Next Steps:

work on perspective with boxes. dont rush horizon lines.

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10:14 PM, Tuesday May 17th 2022

Thank you for your critic, I will keep in mind that the horizon line is better located in the following exercises, and use a pen for drawn "plotted perspective" exercises, I'm pleasantly surprised that you tell me my line is solid, I was afraid it wasn't good enough, again thank you for all.

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Framed Ink

Framed Ink

I'd been drawing as a hobby for a solid 10 years at least before I finally had the concept of composition explained to me by a friend.

Unlike the spatial reasoning we delve into here, where it's all about understanding the relationships between things in three dimensions, composition is all about understanding what you're drawing as it exists in two dimensions. It's about the silhouettes that are used to represent objects, without concern for what those objects are. It's all just shapes, how those shapes balance against one another, and how their arrangement encourages the viewer's eye to follow a specific path. When it comes to illustration, composition is extremely important, and coming to understand it fundamentally changed how I approached my own work.

Marcos Mateu-Mestre's Framed Ink is among the best books out there on explaining composition, and how to think through the way in which you lay out your work.

Illustration is, at its core, storytelling, and understanding composition will arm you with the tools you'll need to tell stories that occur across a span of time, within the confines of a single frame.

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