Hi! Here're my 250 boxes. It's been quite a challenge to work on this, but it was very satisfacting to reach the end. Looking forward to reading your review and keep improving.
Thanks a lot for the feedback and help.
Best regards.
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Hi there, I'll be handling your box challenge critique.
Not only does the challenge help deepen your understanding of important concepts but it shows your desire to learn as well. That being said I'll try to keep this critique fairly brief so you can get working on the next steps as soon as possible.
Things you did well:
Your construction lines are looking smooth and confidently drawn.
It's good to see that you're taking the time to plan and evenly space your hatching lines. This helps keep your boxes tidy and makes them look more solid.
Line weight isn't a requirement of the challenge so it's nice to see you're applying it anyways. Most people need to build up some mileage before they feel comfortable applying it so I always recommend starting early. The sooner you feel comfortable the sooner you see better results.
You're doing a great job of experimenting with orientations, proportions and rates of foreshortening. Experimenting is an important habit to build when learning any new skill, it helps form a more well rounded understanding. I hope you'll continue to display and nurture this habit in the future.
Things you can work on:
You tend to draw fairly small, I'd like you to draw larger in the future. Drawing large will help you become more comfortable working from the shoulder and allow you to see any mistakes you've made more clearly.
At times you're placing your vanishing point between the viewer and your boxes (boxes 104, 198, and 207 are examples of this). This leads to you extending your lines in the wrong direction and your boxes becoming distorted because your lines are actually diverging from where the vanishing point would actually be. Here's a guide I wrote that will hopefully help you place your vanishing points and line extensions more consistently. If you need some more examples you can find them here and a simplified guide below.
There are times when your lines converge in pairs or you attempt to keep your lines a bit too parallel which results in them diverging. This is an example of lines converging in pairs, and this shows the relation between each line in a set and their respective vanishing point. The inner pair of lines will be quite similar unless the box gets quite long and the outer pair can vary a lot depending on the location of the vanishing point. Move it further away and the lines become closer to parallel while moving it closer increases the rate of foreshortening.
The key things we want to remember from this exercise are that our lines should always converge as a set not in pairs, never diverge from the vanishing point and due to perspective they won't be completely parallel.
I won't be moving you on to the next lesson just yet, each lesson builds off concepts in the previous course material so if you move forward with un-addressed issues you end up just creating further issues on top of them.
I'd like you to draw 20 more boxes please. Focus on extending your lines consistently in the correct directions.
Once you've completed your boxes reply to this critique with a link to them, I'll address anything that needs to be worked on and once you've shown you're ready I'll move you on to the next lesson.
I know you can do this and look forward to seeing your work.
Next Steps:
20 more boxes please.
When finished, reply to this critique with your revisions.
Keep practicing boxes and previous exercises as warmups and best of luck in lesson 2.
Next Steps:
Move on to lesson 2.
This critique marks this lesson as complete.
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Every now and then I'll get someone asking me about which ruler I use in my videos. It's this Wescott grid ruler that I picked up ages ago. While having a transparent grid is useful for figuring out spacing and perpendicularity, it ultimately not something that you can't achieve with any old ruler (or a piece of paper you've folded into a hard edge). Might require a little more attention, a little more focus, but you don't need a fancy tool for this.
But hey, if you want one, who am I to stop you?
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Part One: The Basics
An overview of basic skills - both technical and conceptual - with exercises that you will incorporate into your regular warmups for a long time to come. No matter how skilled or experienced you are, start at Lesson 0.
Challenges and Drills
A series of drills that fit into the lessons at various times. These should not all be completed after lesson 2, but rather will be listed as recommended next steps or prerequisites as you follow the numbered lessons in order.
Part Two: Constructional Drawing
An exploration of how complex objects can be broken down into their fundamental components, then rebuilt from simple forms. We look at this concept of constructional drawing by applying it to many different topics - the focus is not on learning how to draw that specific subject matter, but rather to tackle construction from different perspectives.
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