Thanks for the insightful critique!
And sorry for the delay.
I redid the exercises you requested, hopefully there is some improvement.
Here's the link. https://imgur.com/a/TYppSMY
The exercises I've done now should be marked with a description.
Hi!
First thing, the rough perspective boxes, the perpendicular lines are not straight.
I find that you have a problem with straight line. The straight line is important, no wobble, no tilt.
I would like to suggest you use this way. If you have time do it everyday.
Use a ruler to draw a line start from 2-3 inches, and then you superimpose it 8 times. Every time you want to draw a line, use the ruler first and then superimpose. Then you vary the size of the line to 5-6 inches, half of page and full of page.
Mark 2 dots and use the ghosting method to draw a line. You'll ghost until you see that your pen start from the starting point and stop and the end point again and again. And then you draw the line. Then you vary the size of line.
Funnel : That's the improvement.
I wonder that your superimposed lines and the ghosted lines are improved. But what's a reason when you draw a line in the rough perspective is quite different?
May I ask you to revise the rough perspective? Plz be careful the perpendicular line (which I see in your revision).
Next Steps:
1 Page of the rough perspective
Thanks again for taking the time!
You're right, i have a problem creating straight perpendicular lines. I've made this the subject of my warmups and trained a bit extra on that as well.
My new revised Rough perspective has been added and marked with a description.
Here's the link: https://imgur.com/a/TYppSMY
Some lines are still not straight nor perfect but i think it's an improvement.
While I have a massive library of non-instructional art books I've collected over the years, there's only a handful that are actually important to me. This is one of them - so much so that I jammed my copy into my overstuffed backpack when flying back from my parents' house just so I could have it at my apartment. My back's been sore for a week.
The reason I hold this book in such high esteem is because of how it puts the relatively new field of game art into perspective, showing how concept art really just started off as crude sketches intended to communicate ideas to storytellers, designers and 3D modelers. How all of this focus on beautiful illustrations is really secondary to the core of a concept artist's job. A real eye-opener.
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