Hey all! This took me a while to complete as it was something I kept coming back to, but I really started to feel the difference as it went on. It was way harder than I expected but I guess that's the point. Let me know what you think!
Hi overall good job and congrats finishing first lesson :)
Lines
Lines are looking p good overall.
Ellipses
Ellipses are looking p good too, though do get a bit wobbly sometimes. So don't forget to keep working on them ;)
Good job on funnels( minor axis cuts ellipses in halves).
Boxes
Boxes are fine too. In both organic perspective and rotated boxes your main issue is perspective, which is completely fine, as you'll work on it in 250 boxes challenge.
Overall good job :)
Next Steps:
Next Steps:
Continue to use these exercises as part of your warm ups (about 10-15 minutes)
Feel free to move onto the 250 box challenge
Don’t forget to take breaks and draw for fun!
Also, now that you’ve completed Lesson 1, I encourage you to critique some Lesson 1 community submissions. Not only will this help the community, but it will also solidify and reinforce your understanding of the material. Of course, this is optional (but we’d be especially grateful!). If you’d like to give it a shot, see this guide that was created by one of our community members on how to go about critiquing Lesson 1.I definitely need a lot of practice with perspective, yeah. And the confidence with ellipses I suppose really is just one of those things that's trained with repetition? Making my hand follow through precisely with the mark is tough.
Thanks for your feedback!
No worries bro, and don't really worry about ellipses right now, just try to make them
as smooth and confident as you can and they'll definitely get better.)
While I have a massive library of non-instructional art books I've collected over the years, there's only a handful that are actually important to me. This is one of them - so much so that I jammed my copy into my overstuffed backpack when flying back from my parents' house just so I could have it at my apartment. My back's been sore for a week.
The reason I hold this book in such high esteem is because of how it puts the relatively new field of game art into perspective, showing how concept art really just started off as crude sketches intended to communicate ideas to storytellers, designers and 3D modelers. How all of this focus on beautiful illustrations is really secondary to the core of a concept artist's job. A real eye-opener.
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