View Full Submission View Parent Comment
6:26 PM, Monday December 20th 2021
edited at 6:32 PM, Dec 20th 2021
  1. This course doesn't worry much about specifics relating to each individual topic we explore. At the end of the day, they're all 3D objects, and so we're focusing primarily on what we can see in our reference images, and how we can determine the different simple forms they can be broken down into. So, specific anatomy isn't really a concern for us here, beyond using certain terms (cranium, ribcage, pelvis, for example) as ways to refer to specific masses.

  2. That's all going to come do practice and experience. That is what will help hone your observational skills, while also helping you better understand the different ways in which forms can be combined and built off one another.

  3. Not in this course. If you go back to my original critique, where I talk about the sausage method, I explain how it is a technique geared towards capturing both the solidity and gestural flow of leg structures, which is quite important for what we're doing. If you're having trouble with the use of the sausage method - as many do - that's not a sign that the approach should be swapped out, but rather that you simply need more practice with it. That's entirely normal, so you should absolutely be using the sausage method throughout Lesson 5 as well.

  4. Unfortunately I don't have the time to offer that service. Keeping up with the continuous influx of homework submissions makes it difficult enough just to work on updating the lesson material, so offering feedback on other work isn't remotely feasible for me. One of the big benefits of the course (from the critiquing side of things) is that the mistakes people make tend to fall into the same categories, making it possible to find strategies to provide feedback somewhat more efficiently. It's still time consuming, but critiquing students' other work would be vastly moreso.

Edit: Having flipped through your work again, I noticed something I didn't pick up on before - the actual dates of a number of the pages you were submitting.

You may have forgotten, but as explained in Lesson 0, students submitting their work for official critique are not allowed to continue onto the next step until instructed, and so any work done prior to the prerequisites being marked as complete may not be submitted for work. I can see that a good chunk of the work you submitted for every submission thus far has included a fair bit of old work, as well as a smaller quantity of newer work.

It is impossible for you to apply the feedback you've received in a critique in work you've already completed, so we do require everything you submit to be new. Please refrain from submitting old work from here on out.

edited at 6:32 PM, Dec 20th 2021
7:37 PM, Monday December 20th 2021
edited at 7:41 PM, Dec 20th 2021

Thanks for your quick reply

about the old works ,it's true, sorry about that, I sent the assignment with old works to see if I could get some advice .

I didn't do lesson 5 before, so I'm starting to do it, it will take me longer to send assigment, but it will be worth it.

edited at 7:41 PM, Dec 20th 2021
10:33 AM, Friday December 24th 2021

hi again, I was doing the lesson 5, but it is difficult for me to draw the head of this deer (in general most of the heads of the animals). I am not sure which would be a "correct" construction. Is there only one way to place the head pieces or are there different alternatives without losing solidity?

I know there are demo videos specifically about these topics but I would like to know how you would approach this particular problem.

reference: https://imgur.com/HXqC2eC.

5:11 PM, Friday December 24th 2021

This unfortunately falls outside of the way Drawabox is intended to be done - that is, you get feedback once the whole set is done, not for partial work. This is for the sake of efficiency - we're able to keep the price for feedback down as low as it is largely because of rules like this, putting the onus on the students to complete the work to the best of their ability.

That said, I will clarify one thing, as part of your confusion is the result of the lesson being in a bit of a scattered state. Currently the lesson has 3 somewhat distinct approaches for head construction, due to the fact that the course as a whole has been developed over many years, and so different sections get updated to reflect what I've learned from explaining the concepts over and over in my critiques. This is something I'm gradually working to fix, to bring everything into a greater level of cohesion and to address inconsistencies, but such work takes time, and I'm currently working on updating Lessons 0 and 1.

As explained at the top of the tiger head demo, the most recent, most up-to-date, and generally most effective explanation for head construction is found on the informal demos page. While all of the 3 approaches in the lesson stress the importance of treating head construction like a 3D puzzle, with all the pieces wedged up against one another to produce a firmly grounded, three dimensional, and solid result, this one hammers that message home the best.

So, when approaching all of your head constructions, try to apply the specific approach show in that informal head construction demo as closely as you can. It won't always fit perfectly, but generally you should be able to stick to the pentagonal eye socket shape, with the point facing downwards, so as to create a wedge between the sockets for the muzzle, and a flat surface for the forehead to sit upon. Also, don't forget to define that forehead as well.

If you have further questions in between submissions, you can make use of our discord chat server, where there are tons of other students at different stages of the course, as well as a bunch who've completed it.

5:25 PM, Friday December 24th 2021

alright, I understand better the system of this course . thank you very much.

3:21 PM, Sunday January 2nd 2022

Hello, Patreon charged me for my subscription since yesterday but I still do not receive my credits, I have checked the drawabox configuration and everything seems to be fine, do I have to wait a few days to receive it? because there could be a delay.

https://imgur.com/a/7G1DkcW

View more comments in this thread
The recommendation below is an advertisement. Most of the links here are part of Amazon's affiliate program (unless otherwise stated), which helps support this website. It's also more than that - it's a hand-picked recommendation of something I've used myself. If you're interested, here is a full list.
Color and Light by James Gurney

Color and Light by James Gurney

Some of you may remember James Gurney's breathtaking work in the Dinotopia series. This is easily my favourite book on the topic of colour and light, and comes highly recommended by any artist worth their salt. While it speaks from the perspective of a traditional painter, the information in this book is invaluable for work in any medium.

This website uses cookies. You can read more about what we do with them, read our privacy policy.