Lesson 4: Applying Construction to Insects and Arachnids

9:11 PM, Friday August 12th 2022

Drawabox LESSON 4 - kabachuha - Album on Imgur

Direct Link: https://i.imgur.com/TMIOZ9E.jpg

Find, rate and share the best memes and images. Discover the magic of th...

Lesson 4 homework.

This one was a tough one, to be honest. It took some time to fix the initial markmaking and the subjects themselves were quite difficult to me outside the demos, but I hope there is an improvement trend.

What do you think? I'll greatly appreciate any feedback.

2 users agree
7:05 PM, Friday August 26th 2022

Hello I’ll be handling the critique for your lesson 4 homework.

Organic Forms

-Starting with the organic forms I think that you got confused and did one page of contour ellipses when the homework asked for two pages of contour curves. When it comes to the shape of your sausages they are moving in the right direction, as most of them are equally sized on both ends and you have done your best to avoid any pinching or scratching through their length. Of course there is still room for improvement so keep practicing, when it comes to the contour ellipses I can see that you are aware of how they change degree as they move through space, but I can see that you have a much harder time with the contour curves, there are some sausages where they look consistent as they move through space, but I can see that they are moving in the right direction in many ways.

Just keep in mind that contour curves are a useful tool to describe how a form sits in 3D space but they can easily work against us by fattening our drawing, the best strategy is to use the ghosting method to think about each individual mark’s purpose purpose and how you are going to achieve it best, this way you will avoid drawing any mark that do not add any useful information to the drawing

Insects

-Moving to the insects you are moving in the right direction too, you are using the constructional approach well to break everything into smaller and simpler steps rather than trying to capture many things at a time.

-One of the things that you are doing well is the leg construction, you are laying a chain of sausages that captures well the fluidity of these limbs, but you are not pushing it as far as you could, in many cases you are not defining the intersection between the sausages which may seem like a small detail but it is super important to sell the illusion that they are actually 3D forms.

But the most important thing to keep in mind is that the sausage method is not about capturing the shape of the sausages precisely as they are, instead it is about laying down a basic structure that captures both the flow and solidity of the limbs in equal measure. Once that structure is in place we can start to build on top of it by adding more masses to better capture the actual shape of the leg. You can see an example of this process in this demo which shows how to construct the leg of an ant, https://imgur.com/7b9rc9e .

-This process of adding masses is worth an explanation of its own, basically whenever we want to add anything or change something, we can do so by introducing new 3D forms to the structure - forms with their own fully self-enclosed silhouettes - and by establishing how those forms either connect or relate to what's already present in our 3D scene. We can do this either by defining the intersection between them with contour lines (like in lesson 2's form intersections exercise), or by wrapping the silhouette of the new form around the existing structure as shown here https://imgur.com/IINKdQA .

This will help us to always work with full forms rather than flat shapes or simple marks. So for example, when you tried to capture the segmentation of the abdomen on your earwig you employed some simple contours, which don’t really help to convey the solidity of these forms.

There are some really good examples of this approach on the informal demos page, like the shrimp demo and the lobster demo, so I highly encourage you to draw along them, as you will use this same exact technique on the next lesson.

-And lastly I want to call out your use of lineweight, there are some cases when you apply it on the silhouette of entire forms and there are other when it is pretty thick, remember to keep it reserved to clarify how forms overlap, avoid applying it on particularly long marks and keep it subtle, if you end up making it too thick you will take the solidity of your forms away and turn them into mere graphic shapes. Here’s an example with some overlapping leaves https://imgur.com/WILCymm .

Okayy that should be about everything I wanted to address, you can keep working on these issues on lesson 5, I’ll go ahead and mark this lesson as complete.

Next Steps:

Lesson 5

This community member feels the lesson should be marked as complete, and 2 others agree. The student has earned their completion badge for this lesson and should feel confident in moving onto the next lesson.
12:21 PM, Sunday August 28th 2022

Thank you greatly for your critique and advice! :3

Below this point is mostly ads. Indie projects, and tool/course recommendations from us.
This section is reserved for low-cost advertising space for art related indie projects.
With how saturated the market is, it is tough for such projects to get eyes on their work.
By providing this section, we hope to help with that.
If you'd like to advertise here, you can do so through comicad.net
The recommendation below is an advertisement. Most of the links here are part of Amazon's affiliate program (unless otherwise stated), which helps support this website. It's also more than that - it's a hand-picked recommendation of something we've used ourselves, or know to be of impeccable quality. If you're interested, here is a full list.
PureRef

PureRef

This is another one of those things that aren't sold through Amazon, so I don't get a commission on it - but it's just too good to leave out. PureRef is a fantastic piece of software that is both Windows and Mac compatible. It's used for collecting reference and compiling them into a moodboard. You can move them around freely, have them automatically arranged, zoom in/out and even scale/flip/rotate images as you please. If needed, you can also add little text notes.

When starting on a project, I'll often open it up and start dragging reference images off the internet onto the board. When I'm done, I'll save out a '.pur' file, which embeds all the images. They can get pretty big, but are way more convenient than hauling around folders full of separate images.

Did I mention you can get it for free? The developer allows you to pay whatever amount you want for it. They recommend $5, but they'll allow you to take it for nothing. Really though, with software this versatile and polished, you really should throw them a few bucks if you pick it up. It's more than worth it.

We use cookies in conjunction with Google Analytics to anonymously track how our website is used.

This data is not shared with any other parties or sold to anyone. They are also disabled until consent is provided by clicking the button below, and this consent can be revoked at any time by clicking the "Revoke Analytics Cookie Consent" link in our website footer.

You can read more about what we do with them, read our privacy policy.