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5:14 PM, Tuesday April 27th 2021

One thing to keep in mind with all construction is that this course is always looking back at the same problem of basic construction using forms. Whether it's a table or a house or a car or a dog, we're really just looking at how we can take what we see and break it down into simple forms, that can then have the relationships between them defined in 3D space.

Knowing certain things about an animal's underlying body - like the fact that eye sockets exist - simply gives us one way of looking at how to break down the body. But we don't need to stress over exactly where the eye socket exists relative to the beak on a bird, because we're not concerned with their underlying anatomy. It's just one way we can approach the simplification of the complex structure.

One day you may take a course on actual animal anatomy, but at that point what you'll have learned from here will have been distilled only into the understanding of how the things you draw exist in 3D space, and how they relate to one another within it to create something believably three dimensional.

Long story short - don't get too caught up in what the animal's actual skull looks like. We're just looking for excuses to wedge our forms up against one another.

6:40 PM, Tuesday April 27th 2021

So does that mean it's key to wedge forms against each other even on the face?

7:04 PM, Tuesday April 27th 2021

Yup - and especially on the face. Everywhere else on the body, we're kind of wrapping things around one another, so it's the same idea, but it's a bit more organic. With the face, you'll notice that I'm using straighter edges with sharper corners, as though we had blocks of wood that were being cut out and jammed together.

7:43 PM, Tuesday April 27th 2021

Ok so draw like a sculptor for the face. Got it

The recommendation below is an advertisement. Most of the links here are part of Amazon's affiliate program (unless otherwise stated), which helps support this website. It's also more than that - it's a hand-picked recommendation of something I've used myself. If you're interested, here is a full list.
The Art of Brom

The Art of Brom

Here we're getting into the subjective - Gerald Brom is one of my favourite artists (and a pretty fantastic novelist!). That said, if I recommended art books just for the beautiful images contained therein, my list of recommendations would be miles long.

The reason this book is close to my heart is because of its introduction, where Brom goes explains in detail just how he went from being an army brat to one of the most highly respected dark fantasy artists in the world today. I believe that one's work is flavoured by their life's experiences, and discovering the roots from which other artists hail can help give one perspective on their own beginnings, and perhaps their eventual destination as well.

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