Lesson 1: Lines, Ellipses and Boxes
9:35 PM, Tuesday May 24th 2022
Should I revise or can I go on?
Hey, I’ll be grading your homework today. For the most part, you did really well.
Your ghosted lines have a bit of arcing, but not a ton. Nothing that can’t be fixed by just being concision of it and purposefully arcing in the opposite direction a bit to straighten them out.
Your ghosted planes look good too. My only criticism is that a few of your lines noticeably stop short for some reason. Probably pulling up your pencil a too early, but not bad.
Your tables of ellipses are nice too, as do your ellipses in the ghosted planes.
Your funnels are done well too, with them touching the top and bottom pretty consistently and being divided on half pretty well.
Plotted perspective looks great, and your rough perspective looks good too, with your horizontal lines being parallel with the horizon for the most part and your other lines being perpendicular with it as well.
Your rotated boxes are a bit hard to see, but the corners are close together as they’re supposed to be, which is awesome.
And lastly, your organic perspective also holds up well too.
The only thing I recommend you do again is your superimposed lines because there’s a decent mount of fraying on both sides. As a tip, make sure your pencil is really on the point before drawing your line again.
But besides that, you’ve done really well.
Next Steps:
Re-do the superimposed lines, keeping in mind that they’re only supposed to fray on one side, and then you can move on to the 250 box challenge
Hey!
Thank you for this critique. It was amazingly helpful! :D
I did the superimposed lines exercise again:
And thank you again!
No problem. This set of lines looks better with A LOT less fraying. You did great
Next Steps:
Move on to the 250 box challenge. Good luck
Some of you may remember James Gurney's breathtaking work in the Dinotopia series. This is easily my favourite book on the topic of colour and light, and comes highly recommended by any artist worth their salt. While it speaks from the perspective of a traditional painter, the information in this book is invaluable for work in any medium.
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