Lesson 2: Contour Lines, Texture and Construction

6:44 PM, Saturday March 12th 2022

Drawabox Lesson 2 - Album on Imgur

Imgur: https://imgur.com/gallery/JdDsaJJ

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Any feedback is appreciated.

The main thing I notice is I feel like I get too much into detail on the texture, where it starts to look to noisy and cluttered. I feel like I notice this most with things like dirt or hair/fur, where I seem to try and draw each individual shadow. I feel like I need to simplify it more, which I seem to have difficulty with. I thought about just drawing larger, which I need to do in general, or just simplifying the texture, kind of like in some of the examples on the lesson page. I'm not sure, though

I also had difficulty with the intersections on the form intersections exercise. I'm not sure if I did those correctly, although the lesson says that would be difficult to understand.

I also need to have less wobbly lines in general, which is something I will always try to improve with these lessons.

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12:53 AM, Wednesday March 16th 2022

I'll be the TA handling your Lesson 2 critique.

Drawing larger is a good idea, it allows people to see their mistakes more easily and helps make drawing from the shoulder a bit more natural.

You're making progress towards understanding the concepts introduced in this lesson and hopefully this critique will help you in your future attempts.

  • Starting off in the arrows section your lines are looking smoothly and confidently drawn. You're doing a good job maintaining a consistent width as your arrows widen while moving closer to the viewer and with more mileage you'll become more consistent. It's good to see that you're trying to implement line weight, just remember that you want to keep your applications subtle and you'll become consistent with mileage. here are some things to look out for when applying it. I'd like you to experiment more with foreshortening in your future attempts, by utilizing it in both the arrows themselves as well as the negative space between their curves we can create a stronger illusion of an object moving through 3D space as demonstrated here.

  • Moving into the organic forms with contours exercise some of your forms are getting a bit too complex. We want to create our forms with both ends being the same size and to avoid any pinching, bloating, or stretching along the form's length as discussed here. Some of your line work here shows a lack of confidence and start to get stiff at times. Remember that our first priority is that we want all of our linework/ellipses/contours to be drawn confidently and mileage will improve our accuracy. Speaking of contours you're doing a good job trying to shift the degree of your contours so far, be sure to keep experimenting. The degree of a contour line basically represents the orientation of that cross-section in space, relative to the viewer, and as we slide along the sausage form, the cross section is either going to open up (allowing us to see more of it) or turn away from the viewer (allowing us to see less), as shown here.

  • In the texture exercises you're focusing largely on outlines and negative space rather than cast shadows created by forms along the texture itself. This makes it difficult to create gradients with implied information which we could then use to create focal points in more complex pieces, by doing so we can prevent our viewers from being visually overwhelmed with too much detail. For more on the importance of focusing on cast shadows read here. I'd also like to quickly direct you to this image which shows that when we're working with thin line like textures if we outline and fill the shadow we will create a much more dynamic texture than simply drawing lines.

  • It's quite common for people to feel like they don't fully grasp the form intersections exercise, if you feel like you may fall into this category try not to stress too much. This exercise is just meant to get students to start thinking about how their forms relate to one another in 3D space, and how to define those relationships on the page. We'll be going over them more in the upcoming lessons.Your forms are looking quite solid here and they believably appear to belong in the same cohesive 3D space, good work.

  • While wrapping up your submission with the organic intersections exercise you do a great job demonstrating that your sense of 3D space is developing as your forms begin to wrap around each other believably. You're keeping your forms simple and easy to work with which is a good strategy to help produce good results. When doing this exercise again in the future I'd like you to draw through all of your forms. Much like how drawing through our boxes earlier helped build up our understanding of 3D space drawing through organic forms will also help. When it comes to your shadows you're pushing them enough so that they cast rather than just hugging the form that creates them which is a great start. It appears like your shadows aren't following a consistent light source, I recommend pushing your light source to the top left or right corner of the page to start with, it's easier than working with a light directly above your form pile.

Overall this was a solid submission, while you may have some things to work on I have no doubt you will improve with more mileage. I'll be marking your submission as complete and moving you on to the next lesson.

Keep practicing previous exercises as warm ups and good luck in lesson 3!

Next Steps:

Keep practicing previous exercise as warm ups.

Move on to lesson 3.

This critique marks this lesson as complete.
1:56 AM, Thursday March 17th 2022

Thank you, the feedback was very helpful

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