Lesson 1: Lines, Ellipses and Boxes
7:04 PM, Thursday November 6th 2025
Thank you for youw job)
Hello! Here is your feedback for the Lesson 1 exercises. Overall, great work completing the homework.
Overall Feedback
Thank you for using the recommended tools (fineliners). This gives your lines a crisp, clear quality that is perfect for these exercises.
Your overall line quality is excellent. Your marks are confident, smooth, and consistent across all the exercises, which shows a strong understanding of the core mark-making principles.
You have a good grasp of the 'draw through' method for ellipses, consistently using the correct 2-3 passes without overdoing it. This keeps your work clean and easy to assess.
Your work shows an excellent level of care and attention to detail. You've clearly read the instructions for each exercise thoroughly and followed the process exactly as described. This methodical approach is fantastic and will help you build a very strong foundation.
You're doing a fantastic job of thinking and drawing in three dimensions. Your boxes feel solid and volumetric, not like flat shapes. It's clear you are visualizing them as real objects in space, which is the most important takeaway from these exercises.
Here is the feedback broken down by exercise:
Superimposed Lines
Your lines in the superimposed exercise are confident and straight. Great work on avoiding hesitation and steering the stroke!
You're doing a great job of placing your pen down deliberately before starting your superimposed lines, avoiding fraying at the start.
Ghosted Lines
Your ghosted lines are very well-executed, showing a clear commitment to the stroke without hesitation. This demonstrates a good understanding of the process.
Excellent work keeping your ghosted lines straight! This shows you are effectively compensating for the natural arc of your arm by drawing from the shoulder.
Ghosted Planes
Tables of Ellipses
You've followed the instructions for the table of ellipses perfectly by drawing through them the correct number of times.
You are correctly limiting your passes to 2-3 rotations.
Your ellipses in the table fit snugly within their spaces, showing you are aiming for the target correctly.
Your ellipses are evenly shaped and smoothly executed. This demonstrates good use of the ghosting method and drawing from your shoulder.
Ellipses in Planes
Great job in the Ellipses in Planes exercise! You're consistently making your ellipses touch all four edges.
Even with the added challenge of the planes, your ellipses maintain their even, smooth shape. Excellent focus on confident mark-making!
Funnels
You've done a great job ensuring your ellipses touch the edges of the funnel.
Fantastic work on the funnels exercise! Your ellipses show a clear attempt to align to the central minor axis.
Plotted Perspective
You've correctly used a ruler for the Plotted Perspective exercise. Following the instructions precisely is a key part of the lesson.
Your vertical lines are perfectly perpendicular to the horizon. This shows great care and attention to detail.
You've done an excellent job plotting all the horizontal edges back to the correct vanishing points.
Rough Perspective
You've correctly used a single vanishing point for the rough perspective exercise.
The front and back faces of your boxes are correctly rectangular, with parallel horizontals and perpendicular verticals.
You are applying the line extensions correctly to check your convergence. This is a critical skill.
Rotated Boxes
It seems you may have missed the core steps of the rotated boxes exercise, which involve laying out the vertical and horizontal axes and adding squares at the end as you have not properly setup the exercise(Horizontal and vertical axes are wrong.)
The gaps between your rotated boxes are a bit loose or inconsistent. The exercise stresses keeping the boxes very close to each other to simplify estimation. Try to keep the spacing tight and consistent.
Your boxes appear to be aligned to the same set of vanishing points, rather than actually rotating. When a box rotates, at least one of its vanishing points must move. You may be misunderstanding this concept.
Organic Perspective
You've applied a nice, subtle degree of foreshortening to your boxes. The gradual convergence feels consistent and believable.
Excellent work pushing the variety in your forms! Your boxes have dynamic rotations and proportions, which shows you're actively exploring 3D space and not just staying in a comfort zone.
Next Steps:
Based on the feedback above, I've assigned the following revision(s). Please focus on the points mentioned and resubmit your work for review.
Assigned Revision(s):
Boxes:
Exercise: Rotated Boxes
Keep up the great work, and let me know if you have any questions!
Here we're getting into the subjective - Gerald Brom is one of my favourite artists (and a pretty fantastic novelist!). That said, if I recommended art books just for the beautiful images contained therein, my list of recommendations would be miles long.
The reason this book is close to my heart is because of its introduction, where Brom goes explains in detail just how he went from being an army brat to one of the most highly respected dark fantasy artists in the world today. I believe that one's work is flavoured by their life's experiences, and discovering the roots from which other artists hail can help give one perspective on their own beginnings, and perhaps their eventual destination as well.
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