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12:10 AM, Thursday January 25th 2024

I followed through with Gyanyu's advice and did 25 boxes with a focus on line weight and hatching, but I did place great focus on where the lines were converging though.

https://imgur.com/a/5LABo4l

8:39 PM, Saturday January 27th 2024

Great! These boxes are very well done and a lot of them feel very solid & 3-dimensional. In addition, your hatching here is much neater and seems to have improved greatly.

I think you did very well trying to focus on the whole of all of your sets of convergences, though, I want to mention a few things.

  1. While YMMV, one thing that has helped me a lot is utilizing the ghosting technique to ghost further towards my VP's in order to help me better visualize how & where to draw my other lines. Here's a thread about this that Uncomfortable answered: https://drawabox.com/community/submission/LHBWHX1

  2. I should have mentioned this, but, the most accurate placement back corner is not necessarily always going to be so easy to find even if your convergences are holding up well. I found this to be the case for a couple of your boxes, and this can be remedied with just a bit more planning/observation (I, personally, meticulously go about ghosting and placing dots to find the best placement for my back corners). I made this example using one of your boxes to help illustrate what I mean: https://imgur.com/a/cKRVIJz. The revised box obviously does not have the most accurate placement of the new back corner, but I hope you can see what I mean.

    Overall, I feel that you have are pretty ready to move on, as (especially if you do warm-up's, as is recommended) you are most likely going to have lots of chances to continue practicing and bettering your boxes & how you, yourself can go about constructing them.

Next Steps:

  • Move on to Lesson 2: "Contour Lines, Texture and Construction"
This community member feels the lesson should be marked as complete, and 2 others agree. The student has earned their completion badge for this lesson and should feel confident in moving onto the next lesson.
5:58 AM, Sunday January 28th 2024
edited at 5:59 AM, Jan 28th 2024

Thank you for spending the time to do this. I look forward to my continued journey.

edited at 5:59 AM, Jan 28th 2024

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Printer Paper

Printer Paper

Where the rest of my recommendations tend to be for specific products, this one is a little more general. It's about printer paper.

As discussed in Lesson 0, printer paper (A4 or 8.5"x11") is what we recommend. It's well suited to the kind of tools we're using, and the nature of the work we're doing (in terms of size). But a lot of students still feel driven to sketchbooks, either by a desire to feel more like an artist, or to be able to compile their work as they go through the course.

Neither is a good enough reason to use something that is going to more expensive, more complex in terms of finding the right kind for the tools we're using, more stress-inducing (in terms of not wanting to "ruin" a sketchbook - we make a lot of mistakes throughout the work in this course), and more likely to keep you from developing the habits we try to instill in our students (like rotating the page to find a comfortable angle of approach).

Whether you grab the ream of printer paper linked here, a different brand, or pick one up from a store near you - do yourself a favour and don't make things even more difficult for you. And if you want to compile your work, you can always keep it in a folder, and even have it bound into a book when you're done.

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