Hi again SillySnek! Im gonna go over your submission.

Starting out by your organic intersections, it looks like you are sticking to the characteristics of a simple sausage, which is good, though by seeing how they sit on top of each other, most of them give the impression that they are a little stiff and so they dont fully wrap around each other. Remember to take into account their consistency and check this little diagram showing how they are supposed to wrap around each other. Also, while your cast shadows looks pretty good, try adding some line weight to clarify better how the forms interact with each other.

Moving on to your constructions, I want to say that there is a very clear sign of growth as you move through the lesson and that you are mostly doing a pretty good job maintaining your forms 3d and believable. However, there are a few things I want to point out so you can keep on the right track.

First of all, although your line quality got better as you moved through the lesson, there are still wobbly lines at the last constructions- Remember to always ghost your lines and focus on confidence over accuracy on them, the key to make our constructions and drawings feel solid is to build them up with confident strokes!

Im seeing that you used a few leg construction methods through the lesson and while they did got better you are not fully using the sausage method. The key thing about this method is that it helps us capture first, the fluidity of the limbs (by using organic sausages) and then their solidity by adding on to that structure with organic forms (like you did on you cammel for example), though it looks like you are using stretched ellipses, avoid these since they will make everything more stiff. Here is a demostration of this method in practice, check steps 3, 4 and 11.

By looking at your constructions I realize that you havent really applied any line weight and very few cast shadows- Remember to try to use all the tools at your disposal to make your drawings more clear and believable, in the case of line weight for example, its not just an aesthetic choice from this course, its a localized tool that you can use to clarify how different forms interact with each other in specific areas. In this way, you can make it easier for yourself and viewer to understand how those forms are sitting and so making the whole construction more believable! The same goes to cast shadow, though this is a more dangerous one though dont be afraid to experiment with it, thats why you are here at the end of the day! I highly recommend you start working on this areas because the constructions that come ahead can and will get really messy, so its important that you are able to clarify what you did at the end of a drawing.

This is a minor thing, but dont be afraid to add contour curves to the masses you are adding to your constructions, they can really help to make those forms (especially the bigger ones) feel more 3d and solid, though dont add these like crazy since the more you add on a same form, the less helpful they individually become.

Once last very important thing that I want to touch on is that remember that what we are trying to do here is draw a 3d form on a 2d page, this means that if we are not careful with how we draw, our drawings can go wrong really easily. For this to not happen there are certain rules that we put to ourselves, one of them is to never alter the silhouette

The silhouette is a 2d shape that represents the 3d forms, by either cutting into it or extending it, you are changing the 2d shape, and this doenst change the 3d forms, it just breaks the relation between these two! Ultimately undermining the solidity of your construction.

In this cammel head you are cutting into the base form that you used for the head, always respect the solidity of the initial forms you have laid down and work additively on them by applying new 3d forms (like you did on your cammels back for example!)

All this said, I think you are showing a solid grasp on 3d and how different forms wrap around each other, just remember to keep an eye on your line quality. Im gonna go ahead and mark this lesson as completed! Keep up the good work.