Hello and congrats on completing lesson one. My name is Rob and I'm a teaching assistant for Drawabox who will be handling your lesson one critique. Starting with your superimposed lines these are off to a fine start. You are keeping a clearly defined starting point with all of your wavering at the opposite end. Your ghosted lines and planes turned out well. You are using the ghosting method to good effect to get confident linework with a pretty decent deal of accuracy that will get better and better with practice.
Your tables of ellipses are coming along pretty good. You are doing a good job drawing through your ellipses and focusing on consistent smooth ellipse shapes. This is carried over nicely into your ellipses in planes. It's great that you aren't overly concerned with accuracy and are instead focused on getting smooth ellipse shapes. Although accuracy is our end goal it can't really be forced and tends to come with mileage and consistent practice more than anything else. Your ellipses in funnels are looking fine. I'm not seeing any real issues here. Your ellipses are off to a great start but there's still room for improvement so keep practicing them during your warmups.
The plotted perspective looks great, nothing to mention here. Your rough perspective exercises turned out pretty well. You are getting a mix of confident linework here along with some wobble creeping back into some of your lines. https://drawabox.com/lesson/1/14/wobblinglines This is probably happening because you are more concerned with accuracy now that you are constructing boxes and you are slowing down your stroke to compensate. That hesitation because of your concern for accuracy while making your mark is what is reintroducing the wobble into your lines. Try and rely a bit more on the muscle memory you build up while ghosting your mark and almost make your mark without thinking. This will be less accurate at first but will give you consistently smooth and confident linework which is our first priority. Accuracy will come with mileage and can't really be forced. You are doing a good job extending the lines back on your boxes to check your work. As you can see some of your perspective estimations were quite off but that will become more intuitive with practice.
Your rotated box exercise is unfinished but I have a few notes of advice as well. I like that you drew this nice and big as that really helps when dealing with complex spatial problems. You also did a good job keeping your gaps narrow and consistent. The major issue here though is that you stopped drawing through your boxes on the outer rows and skipped doing the corners entirely. Unfortunately in cases like this we can't analyze your mistakes because you didn't finish the exercise. So as a revision I'd like you to either finish this exercise to the best of your ability or try another make sure to complete the entire thing. I'm not expecting it to be done well or even correctly but the attempt must be made in order to learn. Your organic perspective exercises are looking pretty good. You seem to be getting comfortable using the ghosting method and drawing from your shoulder for confident linework for the most part. I'm still seeing a tad bit of wobble which tells me you are still slowing down your stroke for accuracy. Remember to fully commit to your marks and it's okay if your line is slightly off as our current priority is a confident smooth line. Your box constructions are improving as you work through this exercise and I can see you are developing a sense for how box lines converge to vps. There are still some wonky convergences here and there so the 250 box challenge will be a great next step for you.
Overall this was a solid submission that showed a good deal of growth. Remember to always prioritze a confident line over accuracy. Otherwise, I think you are understanding most of the concepts these lessons are trying to convey quite well. Once you get that revision submitted and I take a look you can most likely move on to the 250 box challenge.
Lastly, for future lesson submission please have your work done on blank white copy/printer paper. Exceptions tend to be allowed for the first lesson submission but ruled notebook paper will not be allowed for future lesson submissions.
Next Steps:
Either finish drawing through the outer rows of boxes and finish the corners of your rotated box exercise as well or you can do a new rotated box exercise but make sure to complete the entire thing.
Here we're getting into the subjective - Gerald Brom is one of my favourite artists (and a pretty fantastic novelist!). That said, if I recommended art books just for the beautiful images contained therein, my list of recommendations would be miles long.
The reason this book is close to my heart is because of its introduction, where Brom goes explains in detail just how he went from being an army brat to one of the most highly respected dark fantasy artists in the world today. I believe that one's work is flavoured by their life's experiences, and discovering the roots from which other artists hail can help give one perspective on their own beginnings, and perhaps their eventual destination as well.
Remember that when you agree with something another user has written, you are putting your own reputation behind it.
Consider the following:
Agreeing blindly just to be nice is a good way to get your permissions associated with this function revoked, so make sure that you genuinely feel that the response is beneficial to the student.
We use cookies in conjunction with Google Analytics to anonymously track how our website is used.
This data is not shared with any other parties or sold to anyone. They are also disabled until consent is provided by clicking the button below, and this consent can be revoked at any time by clicking the "Revoke Analytics Cookie Consent" link in our website footer.
You can read more about what we do with them, read our privacy policy.
