12:56 PM, Friday June 2nd 2023
Hello JustCuteGirlzArt, thank you for getting back to me with your organic intersections.
This is a substantial improvement on your previous attempts.
Your linework appears quite smooth, confident and purposeful, and I can see that you've resisted the temptation to redraw things to make corrections, nicely done.
The middle two forms are wrapping around the forms below very well, and have a convincing sense of weight to them.
The top form is the weakest of the bunch, with the far end poking up in the air it looks like there is no weight to the far end, and like it might topple off the pile. Here is how we might draw that top form in a way that feels stable and supported.
I have a couple of notes regarding your contour curves, and I've marked them on your work here.
In blue, I've redrawn a contour curve that was quite skewed. This flattens your forms. If you're having difficulty aligning your curves you can draw a central flow line for your forms, and then try to draw your contour curves so that they're cut into two symmetrical halves by this flow line.
In red, your contour curves were contradicting the orientation of your form. The cast shadow you had drawn tells us that the right side of the form is facing towards the viewer, but your contour curves tell us that it faces away. I've flipped their direction to correct for this. In green I noted that if the right end of the form faces towards us, then the left end will be going away, and wrapping behind the form below, so you'd want a bit of additional line weight on the lower form to clarify this overlap.
Your shadows are miles better! I can understand the logic behind each one, and you're definitely on the right track with them now. The shadow being cast by the lowest form isn't quite selling the illusion that the whole form is resting on a flat ground plane. If I use the little x you've drawn as an indication of the light source I think the shadow will probably look more like this.
All right. I'll check this exercise off as completed. Please continue to apply the advice I've provided here when you practise this exercise in your warmups.
When you complete your animal constructions please submit all 4 pages together. We do not have the resources for TAs to critique work piecemeal, and so you do need to submit everything together, as assigned. While that puts more work on you (in terms of giving you more room to end up making the same mistakes more than might feel necessary), it is necessary to put that on the student (as explained here in Lesson 0) due to the extremely low price at which our feedback is offered.
Next Steps:
Please complete 4 pages of animal constructions.