Hello,
I am submitting for official critic just when I finish the whole lesson?
Or I have to submit every homework inside the lesson separately?
When I want to get an official critic, do I need to complete the 250 boxes before moving to lesson 2?
Or I can do the 250 boxes while I am doing lesson 2?
Thanks in advance!
These are the official rules. You can read more here. I can let you know from experience that the official path is strictly adhered to in terms of sequence and waiting periods. You will receive instructions on whether you have passed and if so what to do next.
For those of you who are interested in receiving feedback from myself and my teaching assistants (who work under my supervision), that is an option we offer through our Patreon (starting at $5/month), but these "official critiques" are subject to a number of strict requirements.
Our students are required to start receiving their official feedback from Lesson 1, and are only allowed to move onto the next set of work once they've had the previous lesson's work marked "officially" as complete. No jumping in mid-course, and getting completion via un-official, "community" critique unfortunately does not count towards this.
All the recommendations made in the lessons (prerequisites, tools, etc.) are now hard requirements for those submitting for official critique.
All submissions for official critique must include all assigned homework for a given lesson. Some lessons have multiple sections (like Lesson 1 has Lines, Ellipses and Boxes) - all the sections must be included in the submission.
There is a 2 week waiting period between homework submissions in order to ensure that students are not being encouraged to rush through their work.
You submit all the homework for the lesson in one post. If it's recommended you do the challenge then do it before lesson 2.
Hi,
Thank you for your answer :)
Just noticed that I got an answer, sorry for the delayed response.
Here we're getting into the subjective - Gerald Brom is one of my favourite artists (and a pretty fantastic novelist!). That said, if I recommended art books just for the beautiful images contained therein, my list of recommendations would be miles long.
The reason this book is close to my heart is because of its introduction, where Brom goes explains in detail just how he went from being an army brat to one of the most highly respected dark fantasy artists in the world today. I believe that one's work is flavoured by their life's experiences, and discovering the roots from which other artists hail can help give one perspective on their own beginnings, and perhaps their eventual destination as well.
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