Unfortunately I feel there are definitely some areas where you may not have fully understood my feedback, so I'm seeing a lot of similar issues coming up here. Perhaps you read through my critique when you initially received it, but then sat down to work at the revisions on a separate occasion - if that's the case, it's very important that you read the critique again and ensure that my feedback is fresh in your mind. Otherwise you're liable to just repeat the same mistakes, working off what you remember, rather than the actual specific issues I raised.

Starting with your organic forms with contour lines:

• Your ellipses are a little uneven at times - this usually suggests that the student is drawing them more from their elbow or wrist, rather than their shoulder. Make sure you're engaging your whole arm while drawing, and employing the ghosting method to ensure a confident execution following proper preparation and planning.

• You still tend to be drawing contour lines that are roughly the same degree throughout the length of your sausage forms. There is some variation on occasion but it seems more arbitrary and unintentional, rather than a sign that you understand the concepts explained in the lesson 1 ellipses video I linked you to previously.

You've got varying success at sticking to the characteristics of simple sausages (I meant to link this before, but forgot to include the URL - my apologies), but I noticed a few where one end was definitely notably larger than the other, and in general, keep working on keeping the ends circular in shape rather than stretching them out.

Moving onto your constructions, the main thing I'm looking for here is the point about avoiding altering the silhouette of forms that have already been constructed, or building upon your construction with flat or partial shapes. I can see that you're trying to fix this issue, but there are key ways you may not realize are breaking this rule.

Most notably, take a look at the wasp drawing, as it's a good example of an issue that comes up often. You've visibly drawn those initial masses to be much lighter, and then went back over them with darker lines. This act of tracing back over an existing form's silhouette is inevitably going to add little irregularities, because as you trace, your hand will wobble and hesitate, creating little bumps. This adds to the complexity of the existing silhouette - in effect, you're altering that silhouette even if you don't intend to.

Every single form you construct should be drawn to be a solid mass. Do not trace back over your construction, because that will flatten it out as it has done here.

Then there are areas where you've added partial shapes as shown here. Everything needs to be its own complete form.

There are definitely areas where you've shown a clear effort to improve these kinds of mistakes, of course - like in the wasp's head construction, you've obviously tried to attach the front of the head as its own separate form. That is indeed a move in the right direction.

When it comes to the segmentation along the insects' bodies - like the wasp's abdomen - I do generally think it's okay to approach it as you have, as long as you are confident in your ability to really wrap those structures around the existing abdominal form. In your case, however, I think it's best for you to actually construct those segments as complete forms as well, as you'll see in this shrimp demo. There I allowed them to overlap one another in order to better understand how they all interact with one another in space.

I think it might be best for you to take another swing at those revisions - the 1 page of organic forms with contour curves, and 3 pages of insect constructions. I am however going to add a couple things to that set of revisions in order to perhaps improve your overall changes of understanding how to approach these drawings best. You'll find them assigned below.