9:12 PM, Tuesday April 16th 2024
Thanks for the feedback, as always it is genuinely enlightening. I feel like an asshole complaining after all this, but I just want clear 2 things up. Merely explain my stance, since I doubt that I am the only person using this line of logic and I believe knowing it, might be useful to you.
This challenge was the only time I eased up on focusing on every singe line in equally high measure, because I was under the impression that the specific care put into the ghosting method and using the whole arm in this course was done for the benefit of helping Me, with improving the confidence in longer lines and deliberate thoughtfulness while drawing (among other things).
"(...) having clean linework helps to ensure that I can see the student's intent, and more accurately interpret what they were thinking about, and what they may not have been thinking about, when making their design decisions."
I'm sorry, but I struggle to see how this means that I must follow all of the guidelines regarding the line making techniques in this course. Ballpoint pen can make very clean lines by carefully layering and connecting short strokes made with wrist or maybe even just the fingers (to be clear, I did not do that here). I agree that clean linework in this challenge was key, but that is all the more reason to not be forced to use the whole arm, even for smaller marks, or making 2 passes at each ellipse for example. These are extra hoops I'd have to jump through, in order to get the lines as clean as possible and convey the design as clearly as possible (especially hard when adding thickness and small details), which seems to be the main goal here.
Another matter is my moan about the amount of work required here.
The only reason anyone would do this exercise is to help train their creative muscles and design thinking. From the perspective of the student, feedback at the end, is there to help point out where they can improve and practice better in the future. The problem with the amount is that doing 50 designs before receiving any feedback, takes a lot of time and effort. It's a little unreasonable to expect students to practice for tenths of hours, over a span of many weeks, with a concern that they are making the same mistakes 50 times over and developing bad habits, just to learn that at the end. But that is exactly what's expected here. It might not make it a bad challenge - and I'm aware that nobody made me take it on, so these complaints might seem a little silly - but I feel it would be improved by giving a more reasonable amount of work to students and encouraging them to continue to practice after a shorter amount of time spend on chests.
Right now, thanks to the feedback, I feel more confident that I see how I can improve my future designs, but as I joked earlier, I don't want to design any more treasure chests for a while, so this confidence is nigh (at least for chests specifically). This was not a problem for me with other challenges, since things like boxes or cylinders are easier to self critique to some degree, with each example produced. But here, I felt a little blind.
I don't like that idea about earning feedback. Positive feedback should feel earned to the student, not just any feedback at all. I empathize with your perspective as a business owner, but I really don't understand how having less examples to pick from, would make giving feedback harder. You'd have to look at less pictures, so if anything, it would take less time, no?
Regardless, thanks again, not just for the feedback above, but the course as a whole. I truly cannot express how much I owe it, and therefor You.