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Lesson 1: Lines, Ellipses and Boxes

12:10 AM, Thursday October 31st 2024

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1:23 AM, Friday November 1st 2024

Welcome and congratulations on finishing the first lesson of Drawabox! I'm Mada and I'll be taking a look at your submission.

Overall you did a great job here, but I do have a bit to mention so let's break them down one by one. I'll write the most important things in bold.

Lines

Starting with your superimposed lines, these are looking good. Some of your arches look very wobbly, so do try to keep practicing ghosting the arches as it will get more relevant in later lessons. Ghosted lines look correctly ghosted and confident too, and there are barely any arching. You've also demonstrated the same confidence in your ghosted planes with a great accuracy. Nothing much to say except keep up the good work!

Ellipses

Now with the ellipses, I still see some wobbling there, especially with the bigger planes, and it's still apparent in your funnels. This is relatively common and can result from hesitation or a limitation on your pivot (like using your wrist instead). A confident execution leads to an evenly shaped ellipse, whereas hesitation leads to wobbling and uneven shapes just as it does for our lines. Be more confident, and make sure you're allowing yourself to draw from your shoulder (https://drawabox.com/lesson/1/ellipsesinplanes/deformed).

Always keep in mind to prioritize confidence over accuracy no matter it is with lines or ellipses.

Boxes

The plotted perspective has no problems, you've shown a good understanding of how to make 2 point perspective.

You've applied the ghosting method and lines extension correctly for the rough perspective. You also drew the front/back faces rectangular, which is correct for 1 point perspective.

As the notoriously most difficult exercise in this lesson, you've done a great job at doing the rotated boxes. You've rotated them pretty well (while making sure to move the converging lines) and used neighboring elements to deduce the next orientation of boxes, which is the whole purpose of this exercise.

Finally, organic perspective looks great as well. They look like they belong in the same page and the lines converge as they move farther away from the viewer. There are a few hiccups here and there where there are divergences that results in skewed boxes, but overall they're minor and they look pretty solid.

This will get more relevant as you get to the box challenge, but any hatching from this point on should also be done with the ghosting method. It will make your stuff cleaner and more practice is always good! Try to cover the whole area of the box with consistent spacing.

Anyway, I think you've grasped the concepts of the whole lesson and ready to put them into practice in warmups. Keep working on your confidence of lines and ellipses especially. Again, congratulations and keep up the good work!

Next Steps:

Move onto the 250 box challenge.

Do the lesson 1 exercises as your regular warmup and don't forget your 50% rule art.

This critique marks this lesson as complete.
9:43 AM, Friday November 1st 2024

Thank you for all the help!

I'll try to keep your feedback in mind as I proceed.

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Printer Paper

Printer Paper

Where the rest of my recommendations tend to be for specific products, this one is a little more general. It's about printer paper.

As discussed in Lesson 0, printer paper (A4 or 8.5"x11") is what we recommend. It's well suited to the kind of tools we're using, and the nature of the work we're doing (in terms of size). But a lot of students still feel driven to sketchbooks, either by a desire to feel more like an artist, or to be able to compile their work as they go through the course.

Neither is a good enough reason to use something that is going to more expensive, more complex in terms of finding the right kind for the tools we're using, more stress-inducing (in terms of not wanting to "ruin" a sketchbook - we make a lot of mistakes throughout the work in this course), and more likely to keep you from developing the habits we try to instill in our students (like rotating the page to find a comfortable angle of approach).

Whether you grab the ream of printer paper linked here, a different brand, or pick one up from a store near you - do yourself a favour and don't make things even more difficult for you. And if you want to compile your work, you can always keep it in a folder, and even have it bound into a book when you're done.

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