It was fine above, no stress! Let’s take this one exercise at a time, then~

Starting with your superimposed lines, these look great! They’re smooth, properly lined up at the start, and of a consistent trajectory (even the longer ones!) Your arcing lines are solid, also, though they’d be easier on your shoulder if they were a little bigger. Don’t worry about taking too much space, in cases like this! – so long as you fill the 2 pages, we’re satisfied. The ghosted lines/planes are quite confident, also, but your start/end points here are too big. Remember that the idea is for a perfect line to be able to swallow them both. Them being as big as they are, however, has shows me that you haven’t actually plotted any for the non-diagonal center lines of your planes! Remember that all of your marks need start/end points (because to draw a mark, you need to ghost between them!) It’s a small thing however, you’re looking solid otherwise!

The table of ellipses exercise is looking good. You’ve got a very light hand, a good variety of shapes and sizes, and all of your ellipses are smooth, rounded, and properly drawn through. I’d stick to 2 rotations moving forward – easier to see your own mistakes, like that. The ellipses in planes, too, are nicely done. This is quite the accomplishment considering how ambitious some of these frames are – you’ve done well! In some cases, however, you’ve had to draw through them about a thousand times more than instructed, so I suppose that’s part of it. Generally, we want our number of rotations to be set. Not ‘few if I get it right, more if I get it wrong’, but rather something that you decide on ahead of time. I don’t see the funnels exercise…

The plotted perspective exercise starts the box section off well. Your boxes here are well constructed, and their back lines properly drawn. The rough perspective exercise is a little mixed. Your convergences here are nicely done – they start off strong and show some good improvement throughout the set. The linework, however, is a little hairy. Normally I’d think that this is lineweight, but given how inconsistent it is (some boxes don’t have any!), I doubt it. Could it be that your pen was running out? Either way, you’re not meant to draw a line more than once. Even if – especially if! – it comes out wrong. We call that automatic reinforcing, and discourage it, because all it does is draw attention to your mistakes. The rotated boxes exercise is small (in an exercise with so many lines, in particular, we want to draw big to be able to tell what’s going on), but nicely done. Your boxes here are snug, and they do a good job of rotating both up front and in the back. Linework is as before, but we’ve discussed that so I won’t bring it up in every exercise :P Finally, save for you-know-what, the organic perspective exercise looks great. You’ve got a good number of boxes, and a great variety of them too. They’re all well constructed (I see those unused points on the page!, I see them and nod my head to them!), and flow well as a result of their increase in size – even extreme size! – and consistent, shallow foreshortening. Great work here.