Hi, My name is Rob and I'm a teaching assistant with drawabox. Unfortunately several parts of this submission are done digitally which is not allowed for any of the submissions for this entire course. https://drawabox.com/article/ink You also mentioned using a ruler which is only allowed for the Plotted Perspective Exercise and for laying out the tables for the other exercises. Everything else needs to be done freehand with a pen on paper. So as a revision you need to redo any exercises that were done digitally with pen and paper. Also please try and upload only homework assignments as they are asked for. Additional pages are not needed.
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Hi, My name is Rob and I'm a teaching assistant with drawabox. Unfortunately several parts of this submission are done digitally which is not allowed for any of the submissions for this entire course. https://drawabox.com/article/ink You also mentioned using a ruler which is only allowed for the Plotted Perspective Exercise and for laying out the tables for the other exercises during the first several lessons. Rulers are allowed during lessons 6 and 7 as well. Everything else needs to be done freehand with a pen on paper. So as a revision you need to redo any exercises that were done digitally with pen and paper. Also please try and upload only homework assignments as they are asked for. Additional pages are not needed.
While I have a massive library of non-instructional art books I've collected over the years, there's only a handful that are actually important to me. This is one of them - so much so that I jammed my copy into my overstuffed backpack when flying back from my parents' house just so I could have it at my apartment. My back's been sore for a week.
The reason I hold this book in such high esteem is because of how it puts the relatively new field of game art into perspective, showing how concept art really just started off as crude sketches intended to communicate ideas to storytellers, designers and 3D modelers. How all of this focus on beautiful illustrations is really secondary to the core of a concept artist's job. A real eye-opener.
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