Lesson 4: Applying Construction to Insects and Arachnids
3:01 PM, Friday April 18th 2025
i ABSOLUTELY despised this lesson. Lost 2 refs accidently
Hi H_R7! Here is my critique for your lesson 4, I hope you find it helpful.
Organic Forms with Contour Lines
simplicity: your forms are mostly simple but there are a few that could use improvement, e.g. the leftmost L-shaped form on the 2nd page. It is more than 2 connected balls as required by the exercise. Try to avoid such uneven or extreme tapering.
contour curves: I see you tried to switch the degree a bit from left to right facing curves. However, I would add more variation in the degrees (shown below).
contour axis alignment: mostly good but some forms have very misaligned ellipses (be careful!)
4 Pages: Pure Constructions
The big forms of the constructions are good. I like how you use contour curves, epsecially for the beetle and ant. Keep that up! However, I must point out some recurring problems you seem to encounter:
legs: your leg forms are often very uneven and wobbly. Sometimes you use lines. Like described here https://drawabox.com/lesson/4/3/step10 you should use the sausage forms just like in the previous exercise with organic forms and contours. It seems to me that you followed this rule when you started e.g. with the beetle and ant, louse too, but as you kept drawing you lost track of it, especially with the scorpions and mantis.
going over old lines: you went multiple times over old lines for your bee/wasp and dragonfly constructions. Perhaps you intended to thicken the lines or made some mistakes. The issue is, it seems you tried to “chicken-scratch” this. Because of using multiple shorter discontinuous lines, you get this messy and unkempt look. You have to avoid this. Slow down, think about what your goal is, and then carefully thicken the line like in the lesson 1 overlapping lines exercise. Or add 1 line for the silhouette detail (see this: https://drawabox.com/lesson/4/3/step6).
If you make a mistake, leave it. Try to work with it, rather than against it. If you try to hide it with other lines, it will only make it more obvious!
6 Pages: Detailed
The constructions in this category also suffer similar issues as pure constructions.
Summary
You clearly understand how to do these constructions, and really know how to use contour lines to your advantage; however, because of mistakes or fear of ruining your existing construction, you go over your lines multiple times, and not in a continuous manner. Your forms also tend to get wobbly and more complex than necessary.
Fixing these issues will make future lessons much easier (and more fun!)
Images with examples: https://imgur.com/a/KYLzQNA
edit: unfinished sentence
Next Steps:
Pick 2 insects, e.g. the dragonfly or mantis, and try to intentionally use sausage forms with additive detail/complex forms, even if it feels like you are going against the reference.
Try to work with your mistakes when you make them, and don’t go over your lines for its own sake – do it to create focal points or to imply indents or cast shadows.
Remember, you are not striving for an image that is just like the reference – strive to apply the principles from Drawabox to practice making resolute decisions which result in more clean constructions. Sometimes, having a clean construction makes the image more true to the original than a perfect representation of the reference.
Thank you so much for taking your time and giving me such a detailed critique I truly appreciate it!
Redos:-https://imgur.com/a/yPN5dmw
Glad I could help!
First, congratulations on completing lesson 4!
Your improvement is visible, and I'm glad you applied the points mentioned above.
Second, the only thing I'd like to point out is thickening behind the mantis' leg:
Think of thickened forms like layering in power point (lol). If you thicken something, you will bring it forward, if you leave it unthickened, with a single line, you will push it backward. In the reference, the leg is in front of the body, so thickening the leg would be correct.
As for the space problem, keep extending the lines until the edge and just leave it at that. There is no need to squish the forms.
Next Steps:
You can move on to lesson 5 - and keep applying what you learned here :)
Some of you may remember James Gurney's breathtaking work in the Dinotopia series. This is easily my favourite book on the topic of colour and light, and comes highly recommended by any artist worth their salt. While it speaks from the perspective of a traditional painter, the information in this book is invaluable for work in any medium.
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