Hi! Yup, that’s perfectly fine. Provided this is marked as complete, and you’re sent off to the box challenge, you can also submit your old box challenge, too, but we’ll request an extra 50 boxes in addition to it, that more accurately reflect your current skill level post this critique. Speaking of, let’s get to it.

Starting with your superimposed lines, these look solid. They’re smooth, and properly lined up at the start, but not always of a consistent trajectory, so be mindful of that. Your ghosted lines look solid, and I’m pleased to see so many of them on the page. The ghosted planes look solid, also, but not quite as confident. I’d wager that what’s happening is that you’re getting a little too conscious of the end point, and slowing down as you approach it, in an effort to not stop short of it, or overshoot. That’s not necessary. Instead, aim for the resulting line to be smooth, and straight; that’s all that matters.

The table of ellipses exercise seems to suffer from a similar issue – a misunderstanding that what matters is not the smoothness/roundness of your ellipses, but rather how snuggly they fit inside of their respective frames, or against each other; it’s the other way around. They’re fair confident, even like this, but I expect they can be quite a bit more so, should you make that the focus, so see if you can. The ellipses in planes are similar. Here, in particular, one can see how the ellipses deform, oftentimes becoming pointy, in an effort to touch all 4 sides of the plane – again, unnecessary; that is something to concern yourself with only after their smoothness/roundness is ensured. The funnels look a little better, but even here there’s hints of the same, so consider making these exercises the focus of the next couple of days’ warmups.

The plotted perspective exercise looks clean. You should’ve used a ruler for the hatching lines here, too, but that’s ok.

The rough perspective exercise starts off a little, well, rough, but improves nicely by the end of the page. Page 2 regresses a little, but I suppose this was a different day, or something like that. Ultimately, I’d say it’s in a good place; the linework is confident (if you find yourself struggling again, remind yourself that there’s no difference between these lines, and the ones in the ghosted lines exercise – if they could be confident there, they can be confident here, too), and the convergences solid (though, of course, how good they are is entirely dependent on how long you spent planning them, so if you’re unsatisfied, simply take a little longer next time).

The rotated boxes exercise is missing 4 boxes (the diagonal ones), but it looks solid otherwise. One, general recommendation, is to draw it a little bigger, next time. This applies to all exercise, actually, but especially here, where you find yourself needing to think through a lot of issues, having some more space to be able to do it in is helpful. Anyway, the boxes here are snug, and rotate comfortably as a result – nicely done. Their far planes have their issues, but that’s to be expected, and something that we’ll address in the upcoming box challenge, so no need to stress.

Finally, the organic perspective exercise looks really good. Your compositions, particularly in the second page, are really dynamic, and the size, foreshortening, and overlaps of your boxes do a great job of pushing that illusion that we’re after. Solid work, overall.