250 Box Challenge
7:24 PM, Thursday January 6th 2022
The 250 Box Challenge. Thank you!
Hi there, I'll be handling your box challenge critique.
Not only does the challenge help deepen your understanding of important concepts but it shows your desire to learn as well. That being said I'll try to keep this critique fairly brief so you can get working on the next steps as soon as possible.
Things you did well:
You're doing a good job of drawing the lines constructing your boxes smoothly and confidently.
It's nice to see that you're taking the time to plan each of your hatching lines and space them evenly. This helps keep your boxes looking tidy rather than looking like they were rushed on to the page.
Line weight isn't a requirement of the challenge so it's nice to see you're applying it anyways. Most people need to build up some mileage before they feel comfortable applying it so I always recommend starting early. The sooner you feel comfortable the sooner you see better results.
Excellent work experimenting with orientations, and proportions. There's still room to experiment more with rates of foreshortening, try bringing your vanishing points in closer to mix things up. It's important to experiment when learning any new skill, it helps form a more well rounded understanding of new concepts. This habit will serve you well in the future so I hope you'll continue to build it as you move forward.
Things you can work on:
The key things we want to remember from this exercise are that our lines should always converge as a set not in pairs, never diverge from the vanishing point and due to perspective they won't be completely parallel.
Overall while you did make a few mistakes your boxes are improving so far and with more mileage you'll continue to become more consistent. That being said I'll be marking your submission as complete and moving you on to lesson 2.
Keep practicing previous exercises and boxes as warm ups, and good luck
Next Steps:
Move on to lesson 2.
Some of you may remember James Gurney's breathtaking work in the Dinotopia series. This is easily my favourite book on the topic of colour and light, and comes highly recommended by any artist worth their salt. While it speaks from the perspective of a traditional painter, the information in this book is invaluable for work in any medium.
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