1:55 AM, Sunday January 25th 2026

Hello and congrats on completing lesson one. My name is Rob and I'm a teaching assistant for Drawabox who will be handling your lesson one critique. Starting with your superimposed lines these are off to a fine start. You are keeping a clearly defined starting point with all of your wavering at the opposite end. Your ghosted lines and planes turned out well. You are using the ghosting method to good effect to get confident linework with a pretty decent deal of accuracy that will get better and better with practice.

Your tables of ellipses are coming along pretty good. You are doing a good job drawing through your ellipses and focusing on consistent smooth ellipse shapes. This is carried over nicely into your ellipses in planes. It's great that you aren't overly concerned with accuracy and are instead focused on getting smooth ellipse shapes. Although accuracy is our end goal it can't really be forced and tends to come with mileage and consistent practice more than anything else. Some of your ellipses in funnels are having some issues with tilting off the minor axis. https://drawabox.com/lesson/1/18/notaligned This is something you should always start considering when drawing your ellipses. Your ellipses are off to a great start but there's still room for improvement so keep practicing them during your warmups.

The plotted perspective looks great, nothing to mention here. Your rough perspective exercises turned out pretty good. It's great that you are keeping up with the confident linework on these. You are also doing a good job extending the lines back on your boxes to check your work. As you can see some of your perspective estimations were quite off but that will become more intuitive with practice.

Your rotated box exercise was obviously a bit of a struggle. So for future submissions please do not use both sides of the paper for the exercises as it's making an exercise like this much harder to intepret because of the bleedthrough. I like that you drew this nice and big to start as that really helps when dealing with complex spatial problems. Your are struggling a lot with proportions as the boxes rotate which is perfectly normal. I am noticing that you are redrawing lines on occasion and this is a habit you should try and get out of. Try and stick with the initial line you put down even if it's a bit off. Adding more lines just makes things messier and harder to read. You did a good job drawing through your boxes but one of the reasons this exercise started to fall apart on you is because you didn't keep the gaps between your boxes narrow and consistent on the outer rows and columns. https://drawabox.com/lesson/1/21/guessing Keeping the gaps narrow and consistent really helps with inferring information about neighboring boxes rotation and proportion. So as a revision I'd like you to give this exercise one more shot. Please make sure it is on a fresh sheet of paper and try and keep the gaps between your boxes narrow and consistent throughout the exercise. Also try to not redraw lines and take your time with this. Please do not scribble in hatch marks between the gaps of your boxes either as that is effecting readability as well. Your organic perspective exercises are looking pretty good. You seem to be getting comfortable using the ghosting method and drawing from your shoulder for confident linework which is great. I do have some notes regarding added line weight I'd like to share. If you want to add line weight make sure you don't revert back to using your wrist and are drawing from your shoulder with confidence. Also added line weight should be subtle so try and only go over a line one additional time instead of multiple times. Your box constructions are improving as you work through this exercise and I can see you are developing a sense for how box lines converge to vps. There are still some wonky convergences here and there so the 250 box challenge will be a great next step for you.

Overall this was a solid submission that showed a good deal of growth. Your line confidence and ellipses are both coming along nicely. I think you are understanding most of the concepts these lessons are trying to convey quite well. I'd like you to give the rotated box exercise one more shot with a focus on keeping the gaps between the boxes narrow and consistent throughout and trying not to redraw lines or add line weight and please don't scribble in hatch marks between the gaps of your boxes either as that is effecting readability as well.

Next Steps:

One page - Rotated box exercise make sure it is on a fresh sheet of paper and try and keep the gaps between your boxes narrow and consistent throughout the exercise. Also try to not redraw lines and take your time with this. Please do not scribble in hatch marks between the gaps of your boxes either as that is effecting readability as well.

When finished, reply to this critique with your revisions.
11:40 PM, Sunday January 25th 2026
edited at 11:42 PM, Jan 25th 2026

I tried to follow the feedback as followed, while I am still struggling to portay it correctly and tried not to grind on the revision. I took my time on this. Is my next step to do the 250 box challenge?

edited at 11:42 PM, Jan 25th 2026
12:09 AM, Monday January 26th 2026

Okay I can see you gave it another shot and focused on my directions. You are still struggling to understand 3d space so the 250 box challenge should help you develop that a bit more. I'm going to mark this as complete and good luck with the 250 box challenge!

Next Steps:

The 250 Box Challenge

This critique marks this lesson as complete.
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Printer Paper

Printer Paper

Where the rest of my recommendations tend to be for specific products, this one is a little more general. It's about printer paper.

As discussed in Lesson 0, printer paper (A4 or 8.5"x11") is what we recommend. It's well suited to the kind of tools we're using, and the nature of the work we're doing (in terms of size). But a lot of students still feel driven to sketchbooks, either by a desire to feel more like an artist, or to be able to compile their work as they go through the course.

Neither is a good enough reason to use something that is going to more expensive, more complex in terms of finding the right kind for the tools we're using, more stress-inducing (in terms of not wanting to "ruin" a sketchbook - we make a lot of mistakes throughout the work in this course), and more likely to keep you from developing the habits we try to instill in our students (like rotating the page to find a comfortable angle of approach).

Whether you grab the ream of printer paper linked here, a different brand, or pick one up from a store near you - do yourself a favour and don't make things even more difficult for you. And if you want to compile your work, you can always keep it in a folder, and even have it bound into a book when you're done.

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