We all hate ads, but they help keep the lessons free and pay for its upkeep - they're removed for those at the Casual Student Patreon Tier and higher

Lesson 2: Contour Lines, Texture and Construction

7:30 PM, Saturday December 4th 2021

Lesson 2: Organic Forms, Dissections and Forms Intersections  Johnny Socko - Album on Imgur

Imgur: imgur.com/a/QHsbeWt

Post with 0 views. Lesson 2: Organic Forms, Dissections and Forms Inters...

I added alot more pictures this time, the last person who correct my lesson, told me to do so. I hope this is common practice.

Thanks,

J.S.

We all hate ads, but they help keep the lessons free and pay for its upkeep - they're removed for those at the Casual Student Patreon Tier and higher
0 users agree
12:59 PM, Wednesday December 8th 2021

I'll be the TA handling your Lesson 2 critique.

I think you may have understood the instructions given to you in lesson 1 about your pictures so let me try to clarify them for next time. You don't need to complete extra pages (unless assigned them as revisions) or take lots of close up pictures of sections. We would just like you to take a good picture of each page, if we have to zoom in really close because the picture is taken from far away or there's a bunch of pages in a single picture it makes it more difficult to read small details.

The single page pictures you included here are great, just don't worry about the close up ones in the future. Also it seems you did a bunch of extra pages for some reason, try to not do that because you will risk burning yourself out.

Anyways you're making progress towards understanding the concepts introduced in this lesson and hopefully this critique will help you in your future attempts.

  • Starting off with the arrows section you want to be making sure you're drawing confidently to keep your arrows as smooth as possible, accuracy will come with mileage. There are spots where your arrows bulge/narrow suddenly, this is an issue because it gives the impression that your arrows are stretching which hurts their solidity. Remember that as our arrows move closer to the viewer we want them to widen consistently. It's good to see that you're trying to implement line weight, just remember that you want to keep your applications subtle and you'll become consistent with mileage. here are some things to look out for when applying it. I'd like you to experiment more with foreshortening in your future attempts, by utilizing it in both the arrows themselves as well as the negative space between their curves we can create a stronger illusion of an object moving through 3D space as demonstrated here.

  • Moving into the organic forms with contours exercise you're doing a good job keeping your forms simple, plenty of people tend to over-complicate them. Some of your line work here shows a lack of confidence as well, remember that our first priority is that we want all of our linework/ellipses/contours to be drawn confidently. Speaking of contours I'd like you to try and shift the degree of your contours more. The degree of a contour line basically represents the orientation of that cross-section in space, relative to the viewer, and as we slide along the sausage form, the cross section is either going to open up (allowing us to see more of it) or turn away from the viewer (allowing us to see less), as shown here.

  • In the texture exercises you're focusing largely on outlines and negative space rather than cast shadows created by forms along the texture itself. This makes it difficult to create gradients with implied information which we could then use to create focal points in more complex pieces, by doing so we can prevent our viewers from being visually overwhelmed with too much detail. For more on the importance of focusing on cast shadows read here. I'd also like to quickly direct you to this image which shows that when we're working with thin line like textures if we outline and fill the shadow we will create a much more dynamic texture than simply drawing lines.

  • It's quite common for people to feel like they don't fully grasp the form intersections exercise, if you feel like you may fall into this category try not to stress too much. This exercise is just meant to get students to start thinking about how their forms relate to one another in 3D space, and how to define those relationships on the page. We'll be going over them more in the upcoming lessons.Your forms are looking quite solid here and they believably appear to belong in the same cohesive 3D space, good work.

  • While wrapping up your submission with the organic intersections exercise you show that you need a bit more time becoming comfortable with thinking of how these forms interact in 3D space and how they'd wrap around one another. I recommend trying to stack your forms perpendicularly rather than trying to keep them headed in the same direction to help make wrapping them around one another a smoother task. You're keeping your forms simple and easy to work with which is a good strategy to help produce good results. When it comes to your shadows you're pushing them enough so that they cast rather than just hugging the form that creates them which is a great start. Your shadows appear to be following a consistent light source, be sure to experiment with different angles and intensities when trying this exercise again in the future. I recommend pushing your light source to the top left or right corner of the page to start with, it's easier than working with a light directly above your form pile.

Overall this was a solid submission, while you may have some things to work on I have no doubt you will improve with more mileage. I'll be marking your submission as complete and moving you on to the next lesson.

Keep practicing previous exercises as warm ups and good luck in lesson 3!

Next Steps:

Keep practicing previous exercise as warm ups.

Move on to lesson 3.

This critique marks this lesson as complete.
4:52 PM, Wednesday December 8th 2021

Hi,

Thanks for the critique. Could you explain this part a bit more or show me a diagram of some kind, I'm trying to picture this in my head and I'm not quite getting it." ...I recommend trying to stack your forms perpendicularly rather than trying to keep them headed in the same direction to help make wrapping them around one another a smoother task."

Thanks.

J.S.

5:48 PM, Wednesday December 8th 2021

Perhaps a little belatedly, I just added an explanation of this issue here in the lesson's common mistakes section. Hopefully that explains what Tofu meant.

6:36 PM, Thursday December 9th 2021

Thanks.

We all hate ads, but they help keep the lessons free and pay for its upkeep - they're removed for those at the Casual Student Patreon Tier and higher
ComicAd Network is an advertising platform built for comics and other creative projects to affordably get the word out about what they're making. We use them for our webcomic, and while they don't pay much, we wanted to put one of their ad slots here to help support other creatives.
The recommendation below is an advertisement. Most of the links here are part of Amazon's affiliate program (unless otherwise stated), which helps support this website. It's also more than that - it's a hand-picked recommendation of something I've used myself. If you're interested, here is a full list.
Marshall Vandruff's Linear Perspective Videos

Marshall Vandruff's Linear Perspective Videos

Despite their age, Marshall Vandruff's videos on Linear Perspective are some of the best lectures on all the ins and outs of perspective, and as an instructor, he is highly respected across the board. He goes into a lot of the intricacies that I don't touch on in much depth (at least, not if I can help it).

On top of being some of the best, his lectures are also among the most accessible, at the full 8 hour set for $12.00. There's literally no reason not to grab them.

This website uses cookies. You can read more about what we do with them, read our privacy policy.