In the beginning, I thought you were repeating the same boxes over and over again. But later I had broken this scheme, which I really appreciate.
One thing that I want to mention is line weight. At boxes 90-123 and 191-234 you added line weight to the plane that is facing the viewer, which is incorrect. As we use x-ray vision, you should add line weight to edges that you would be able to see in 3-d space.
As in boxes 139, 140 you sometimes don’t know in which direction you should extend your lines. Think you it where your lines converge, where they’ll meet. I think in 140 box you should add hatching at the bottom plane and it would solve the problem.
Those are the only little mistakes that I’ve noticed. You’ve done great work and progressed through this challenge.
Next Steps:
Good luck on lesson 2!
Here we're getting into the subjective - Gerald Brom is one of my favourite artists (and a pretty fantastic novelist!). That said, if I recommended art books just for the beautiful images contained therein, my list of recommendations would be miles long.
The reason this book is close to my heart is because of its introduction, where Brom goes explains in detail just how he went from being an army brat to one of the most highly respected dark fantasy artists in the world today. I believe that one's work is flavoured by their life's experiences, and discovering the roots from which other artists hail can help give one perspective on their own beginnings, and perhaps their eventual destination as well.
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