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2:57 PM, Wednesday November 25th 2020

Your sense of Perspective is incredible. However you have trouble judging how your elipses form not only in shape, but how they wrap around an object. Even still I can see that your judgement in lining the eclipses got better overtime.

I think you did terrific and your texture work is excellent. Including your Form Intersections. But work on your eclipses - warm up before you create.

1:23 AM, Thursday November 26th 2020

Thanks! Yeah I did the elipses around objects thing without much consideration and completely forgot about it til organic intersections. I'm still rather happy with how it came out in the end.

I don't believe I had any issue figuring out where the elipses should be during organic intersections #2, but there were a few messed up executions that ended up warping the perspective in a way I wasn't intending.

Still, though, I feel like I came away from this lesson having a pretty good understanding of the concept now, even if I fail the actual execution from lack of practice.

7:32 PM, Thursday November 26th 2020

Splendid. Just keep drawing! without commiting to drawing then you'll get no where! Well done.

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The Science of Deciding What You Should Draw

The Science of Deciding What You Should Draw

Right from when students hit the 50% rule early on in Lesson 0, they ask the same question - "What am I supposed to draw?"

It's not magic. We're made to think that when someone just whips off interesting things to draw, that they're gifted in a way that we are not. The problem isn't that we don't have ideas - it's that the ideas we have are so vague, they feel like nothing at all. In this course, we're going to look at how we can explore, pursue, and develop those fuzzy notions into something more concrete.

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