What do I do when, even after ghosting the lines before drawing them, I still can't connect the two points together?eithef the lines are wobbly, straight but inaccurate, or it faints before reaching the next point.
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If you have to choose between confidence amd accuracy, always choose confidence.
Accuracy is not in your bucketlist for now. Sure, it would be nice to have it, and yes, you will try to work towards it in the future, but it is not in your checklist.
Your first and foremost priority is confidence. You need crisp, straight lines, drawn from shoulder in a single decisive stroke after careful ghosting. Like a slash of blade, drawn fast and without steering midway through.
Just continue working through it, there are no "good" or "bad" results here, only if it follows the exercise rules or not. Get a clean, crisp line; and after that you will start calibrating your accuracy.
If your lines are wobbly, you are hesitating or you are still unsure where the stroke will end. If the line is straight but inaccurate, all you need to do is continue practicing. If it faints before reaching the point, you are lifting the pen/reducing pressure before it reaches the end point or using the pen at an angle.
Go over lesson 1 again, they talk more about this in more detail.
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Part One: The Basics
An overview of basic skills - both technical and conceptual - with exercises that you will incorporate into your regular warmups for a long time to come. No matter how skilled or experienced you are, start at Lesson 0.
Challenges and Drills
A series of drills that fit into the lessons at various times. These should not all be completed after lesson 2, but rather will be listed as recommended next steps or prerequisites as you follow the numbered lessons in order.
Part Two: Constructional Drawing
An exploration of how complex objects can be broken down into their fundamental components, then rebuilt from simple forms. We look at this concept of constructional drawing by applying it to many different topics - the focus is not on learning how to draw that specific subject matter, but rather to tackle construction from different perspectives.
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