Redid lesson 2
I wasn't too satisfied with the last one I submitted and now I tried to put a little more effort into this one, there are still some errors i think, but in general i'm pretty satisfied with it. If you want and have the time please tell me how i did.
thanks in advance for looking at my submission :)
this is intriguing, I'll be dropping some critics on this exercise to the best of my ability.
organic arrow: perfect
organic forms: is also perfect but some of your ellipses degree are the same, the ellipses facing the viewer will be 90 degree while the ellipses facing away from the viewer will also be 90 degree but it depends on how you construct your sausage form, the ellipses tilting from the viewer will be 45 degree while the ellipses which is side is facing the viewer will be 0 degree but in this lesson we're only making use of the 90 and 45 degree of ellipses because our form isn't flat like and it's looks round, in order for us to create a great convincing illusion of depth in our 2d drawing to make it looks 3d to make it looks like the form is really round like we won't be using the 0 degree ellipses. if you don't understand this you can go through the notes and with continues warm-ups, you'll improve.
texture and dissection exercise are great.
shape intersection: some of your line weights are wobbly so make confident lines and add shading to your forms.
organic intersection: your shadow aren't well casted, the shadows are said to be casted around the form and on top of the surface it's on. read through the note and go through the video for more information. and don't forget to drop some critics on mine, let's help each other improve by cooperating and helping each other out .
good luck on your next lesson
Next Steps:
lesson 3
Here we're getting into the subjective - Gerald Brom is one of my favourite artists (and a pretty fantastic novelist!). That said, if I recommended art books just for the beautiful images contained therein, my list of recommendations would be miles long.
The reason this book is close to my heart is because of its introduction, where Brom goes explains in detail just how he went from being an army brat to one of the most highly respected dark fantasy artists in the world today. I believe that one's work is flavoured by their life's experiences, and discovering the roots from which other artists hail can help give one perspective on their own beginnings, and perhaps their eventual destination as well.
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