Redid lesson 2
I wasn't too satisfied with the last one I submitted and now I tried to put a little more effort into this one, there are still some errors i think, but in general i'm pretty satisfied with it. If you want and have the time please tell me how i did.
thanks in advance for looking at my submission :)
this is intriguing, I'll be dropping some critics on this exercise to the best of my ability.
organic arrow: perfect
organic forms: is also perfect but some of your ellipses degree are the same, the ellipses facing the viewer will be 90 degree while the ellipses facing away from the viewer will also be 90 degree but it depends on how you construct your sausage form, the ellipses tilting from the viewer will be 45 degree while the ellipses which is side is facing the viewer will be 0 degree but in this lesson we're only making use of the 90 and 45 degree of ellipses because our form isn't flat like and it's looks round, in order for us to create a great convincing illusion of depth in our 2d drawing to make it looks 3d to make it looks like the form is really round like we won't be using the 0 degree ellipses. if you don't understand this you can go through the notes and with continues warm-ups, you'll improve.
texture and dissection exercise are great.
shape intersection: some of your line weights are wobbly so make confident lines and add shading to your forms.
organic intersection: your shadow aren't well casted, the shadows are said to be casted around the form and on top of the surface it's on. read through the note and go through the video for more information. and don't forget to drop some critics on mine, let's help each other improve by cooperating and helping each other out .
good luck on your next lesson
Next Steps:
lesson 3
While I have a massive library of non-instructional art books I've collected over the years, there's only a handful that are actually important to me. This is one of them - so much so that I jammed my copy into my overstuffed backpack when flying back from my parents' house just so I could have it at my apartment. My back's been sore for a week.
The reason I hold this book in such high esteem is because of how it puts the relatively new field of game art into perspective, showing how concept art really just started off as crude sketches intended to communicate ideas to storytellers, designers and 3D modelers. How all of this focus on beautiful illustrations is really secondary to the core of a concept artist's job. A real eye-opener.
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