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7:35 AM, Saturday January 21st 2023

Hello, thank you so much for the great and thorough critique :D

I'll be sure to apply and work on your suggestions.

The only part I somewhat struggle to understand is the following:

One thing we may do to improve this aspect is to construct the box from the back corner instead, or fixing one direction when we are inspecting one set of sides of the base by placing a provisional dot around where you guess the intersection with the other direction may be, and then check for the other set of sides to improve upon your original guess

Are there any resources or demos that demonstrate this process so I can better understand it?

Thanks again!

11:35 PM, Sunday January 22nd 2023

Sorry for the delayed response, here's what I meant: https://imgur.com/a/9YdocB2

The actual convergence in this specific image is very sloppy, but it will suffice to illustrate the technique. In the second image I ghosted in one direction and placed a mark where I guessed the inner corner could have been. This implicitly fixes one direction (which I traced explicitly in green for the sake of clarity). By ghosting in the other direction, now that we have roughly established a side of the base, we can improve upon our guess because now that you have a reference for one direction you can pinpoint better where the 2 lines will intersect (the circled dot) while ghosting back towards the vp. Hope this was clearer.

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Printer Paper

Printer Paper

Where the rest of my recommendations tend to be for specific products, this one is a little more general. It's about printer paper.

As discussed in Lesson 0, printer paper (A4 or 8.5"x11") is what we recommend. It's well suited to the kind of tools we're using, and the nature of the work we're doing (in terms of size). But a lot of students still feel driven to sketchbooks, either by a desire to feel more like an artist, or to be able to compile their work as they go through the course.

Neither is a good enough reason to use something that is going to more expensive, more complex in terms of finding the right kind for the tools we're using, more stress-inducing (in terms of not wanting to "ruin" a sketchbook - we make a lot of mistakes throughout the work in this course), and more likely to keep you from developing the habits we try to instill in our students (like rotating the page to find a comfortable angle of approach).

Whether you grab the ream of printer paper linked here, a different brand, or pick one up from a store near you - do yourself a favour and don't make things even more difficult for you. And if you want to compile your work, you can always keep it in a folder, and even have it bound into a book when you're done.

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