Welcome to drawabox, and congrats on completing Lesson 1. I'll be taking a look at it for you.

Starting off, your superimposed lines look confident. On top of that, they're properly lined up at the start, and of a consistent trajectory, but they fray so wildly that I'm wondering if you didn't perhaps draw these a little too fast. Remind yourself that speed and confidence are not the same thing. Rather than drawing as fast as you can, experiment with different speeds to find one that gives you lines that, while still fully confident, are as accurate as they can be (before you go too far in that direciton, and start sacrificing confidence for that accuracy, of course). The ghosted lines/planes look a lot better in that respect, and I'm pleased to see that you've not forgotten to plot start/end points for them - most students do.

The table of ellipses exercise is nicely done, though here, too, I'll caution you against drawing too fast. This extends to the amount of time spent ghosting, too - don't be so eager to jump into execution. Ghost until you feel comfortable, then draw, and be deliberate about all of your motions, from the moment your pen touches the page, until it finally comes off of it. You shouldn't have instances where a line starts off incorrect, then finds its circular groove, and is flicked off of it again in the end (consider page 2, column 2, row 5, for examples of this). The ellipses in planes are better in this respect. You've even paid some attention to the perspective of the planes themselves, which I appreciate. The funnels, too, are well done, though I'd perhaps draw fewer, bigger ones. It's harder to engage your shoulder when drawing small, and I suspect a lot of the issues I see here are due to that, more than anything else.

The plotted perspective exercise is well done. The rough perspective exercise is mixed. Your convergences show some nice improvement throughout the set; by the end, they're in a good place. Your linework is the same (though, despite your having mostly fixed it by the end, I'll be sure to mention that each line is meant to be drawn once, and only once, regardless of how it turns out, since it is a concept so deelpy rooted in our philosophy for the course), but still not perfect by the end. Though you've mostly dropped the automatic reinforcing habit, you'll still draw your lines a little wildly. You're correct that the most important part of this exercise is the convergences, but that doesn't mean that the linework is an afterthought. Still carefully ghost each line before drawing it, or, if you feel yourself a little impatient after having plotted points for so long (normal) simply take a break, and come back later. The rotated boxes exercise looks good. It could be a bit bigger (and thus, give you an easier time), but even like this, its boxes are snug, and properly rotating. You've been mindful of this in the back, also, and though there's the occasional error, you're in a good place for where we are in the course, and anything extra will be addressed int he upcoming box challenge. On the subject of boxes, the organic perspective exercise is nicely done. Your last frame, in particular, is very dynamic, and shows a good understanding of what you're meant to be doing. I can't help but notice, however, that you're not plotting start/end points for all of your lines. Or, to put it another way, in the cases where you are, you're only using them to denote the general direction of your lines, not their length - content to extend a line arbitrarily, and then meet it from the other side. That's not how we do things. After you've got the directon of each line, extend them in your head, figure out where they intersect, and plot a point there. Then extend towards it.