rotating paper instead of hand

3:26 PM, Tuesday July 13th 2021

I am doing lines and boxes right now.

I have found that my accuracy is better if I put my shoulder / arm / hand in a position where I have the most control for a straight line and then rotate the canvas to match it instead of adjusting my position

This is quite rigid, but can be precise, the same way you orient a piece of wood toward a saw instead of moving the saw around if the analogy makes sense.

But I'm afraid this will not help me develop the right movement.

Is it a valid technique, or am I setting myself up for bad habits?

5 users agree
4:12 PM, Tuesday July 13th 2021

Hi, as mentioned in the notes for the ghosted lines here, you should definitely be rotating the page to find the best angle to execute the line. This is part of the ghosting process, and should be applied to every mark you make.

Of course, there is benefit to learning how to make marks in any direction well, but it would detract from the main goals of the course to practice it here. So you can, and in fact should, rotate the page to help make marks better.

7:15 PM, Tuesday July 13th 2021

ok, so I'll keep doing it like this. I tried paper vs. iPad pro, it's definitely much much easier on paper!

thanks!

Below this point is mostly ads. Indie projects, and tool/course recommendations from us.
This section is reserved for low-cost advertising space for art related indie projects.
With how saturated the market is, it is tough for such projects to get eyes on their work.
By providing this section, we hope to help with that.
If you'd like to advertise here, you can do so through comicad.net
The recommendation below is an advertisement. Most of the links here are part of Amazon's affiliate program (unless otherwise stated), which helps support this website. It's also more than that - it's a hand-picked recommendation of something we've used ourselves, or know to be of impeccable quality. If you're interested, here is a full list.
The Science of Deciding What You Should Draw

The Science of Deciding What You Should Draw

Right from when students hit the 50% rule early on in Lesson 0, they ask the same question - "What am I supposed to draw?"

It's not magic. We're made to think that when someone just whips off interesting things to draw, that they're gifted in a way that we are not. The problem isn't that we don't have ideas - it's that the ideas we have are so vague, they feel like nothing at all. In this course, we're going to look at how we can explore, pursue, and develop those fuzzy notions into something more concrete.

We use cookies in conjunction with Google Analytics to anonymously track how our website is used.

This data is not shared with any other parties or sold to anyone. They are also disabled until consent is provided by clicking the button below, and this consent can be revoked at any time by clicking the "Revoke Analytics Cookie Consent" link in our website footer.

You can read more about what we do with them, read our privacy policy.