Oh, my mistake - I had seen it but by the time I finished the critique I forgot about it, so thank you for the reminder.
Generally speaking I treat the treasure chest challenge as being an optional "extra final boss" after Lesson 7. It is optional, and once you complete lesson 7, you'll have earned the completionist rank. If you wanted to do it earlier though, I'd say that you should just have completed lesson 6 (with you have done).
okay i see, so its fine if i do the chest challenge as my next assignments? I just planned on taking a bit of a break from drawabox in-between lesson 7 if thats okay, since i wanted to maybe focus more on other art related content but i was interested in what the chest challenge offered so i want to do it right now
Yup, that's fine.
alright thanks again for the critique and clarification!
hello sorry for the bother, i did ask this question in the discord but i couldnt really get an answer, in the chest challenge we arnt required to draw the circle ellipse thing if we are working on tradtional is that correct? i dont think the video for this explained how to draw the chest without the circle, im not sure if this is the correct way of drawing a chest but https://imgur.com/a/DHPRvpR
i draw a normal box and then i extended the lines further (the green lines) and then attach red lines and connect it that way.
also when you draw the chest you start of by drawing the ground plane first, would it be find if i still used the 'y' method to draw the inital box?
While I have a massive library of non-instructional art books I've collected over the years, there's only a handful that are actually important to me. This is one of them - so much so that I jammed my copy into my overstuffed backpack when flying back from my parents' house just so I could have it at my apartment. My back's been sore for a week.
The reason I hold this book in such high esteem is because of how it puts the relatively new field of game art into perspective, showing how concept art really just started off as crude sketches intended to communicate ideas to storytellers, designers and 3D modelers. How all of this focus on beautiful illustrations is really secondary to the core of a concept artist's job. A real eye-opener.
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