Hi again Stengon,

I've checked your submission,

First of all, organic arrows are looking pretty good, it looks like you are not also trying to move them in the 2d space, but also, trying to send them back by making the spaces between turns smaller as they go back and also the size of the arrows bigger as they get closer to the viewer, good job! However, I do see that you are applying line weight with no real purpose sometimes, remember that it's a tool we use to communicate things to the viewer, in this case what side of the arrow is in front of the other. Here it's an example of what I mean, plus a little advice on where to drop your shadows (which are also a tool of communication).

In your leaves, I see that you are struggling with them a little, but I also see that you are slowly but surely getting the hang of it, mainly because you are trying out the short organic arrows as they were leaves. Also, remember that most of this exercises are hard, speacially leaves, so their point it's not to make them perfectly, but start making you think about certain concepts that you haven't noticed before. So, when tackling this course from now on, give your current best and move on.

Branches are pretty solid, I see that you gave yourself more time in your second page of them, because those lines are a lot more fluid and connect better. That would be the first thing I wanted to touch on, give yourself a little more time to apply the ghosting method and to think what's the purpose of each line that you are putting down.

Now, your plants look like, as you progressed through the lesson, you started to get more tired and start putting the same amount of time into each one. Again, not also take your time with your lines, take your time with this lessons, don't try to rush learning, take your time and try to enjoy the most of it.

Something I can't help to notice is your line quality during this lesson. Remember that you are supposed to use something near a 0.5 fineliner to apply your lines and line weight, you should not use a brush fineliner (or however they are called) to make lines, that i'ts reserved for just shadows.

Another thing that I saw it's that you are not varying the degrees of your ellipses when doing branches or mushrooms. Here is exactly what I mean, take a look at it because it's a very important factor to sell the illusion of depth.

One last thing that I wanted to touch on it's the use of shadows on your constructions, only use them if you are trying to communicate something, they are just like line weight, a tool to tell things to the viewer. Here it's an example on how to use shadows from another critique that you can also use as an example, you can also see that I gave a little tip con how t use shadows to creat local points where you can draw the viewers eye to.

You did a good job, I'm gonna mark this lesson as completed! Keep it up.