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7:02 PM, Monday August 28th 2023

Starting with your cylinders around arbitrary minor axes, unfortunately it appears that you have missed some important instructions here, and as a result, did not complete this part of the challenge correctly. There are two main issues:

  • Firstly, you appear to be drawing the majority of your cylinders with no foreshortening at all - keeping the side edges parallel to one another (or in other words, pushing the vanishing point that governs them to infinity. This is a specific issue that is addressed at length in this section of reminders. It explains both why forcing the vanishing point to infinity is incorrect in this situation, as well as calls further attention to the part of the homework/assignment section which specifically asks students to vary their rates of foreshortening across this part of the challenge.

  • Secondly, when going through the error analysis step (where we identify the true minor axes of our ellipses), you appear to be drawing a single red line for each cylinder, cutting through both ellipses. The instructions shows that you need to do this separately for each ellipse. Since there's a significant likelihood that the ellipses are not aligned perfectly to one another, drawing a single minor axis line is unlikely to correctly identify the minor axis line of both, and so it would not provide useful information to help you adjust your approach into the next page of cylinders.

It is extremely important that you ensure you follow the instructions to the best of your ability, and when embarking on longer challenges like this one, that will likely require you to revisit those instructions periodically in order to keep them fresh in your mind. Unfortunately it does seem that ball was dropped here, but you will have the opportunity to correct this.

Fortunately, your cylinders in boxes were by and large done well, and do apply the instructions correctly for the most part. This exercise is really all about helping develop students' understanding of how to construct boxes which feature two opposite faces which are proportionally square, regardless of how the form is oriented in space. We do this not by memorizing every possible configuration, but rather by continuing to develop your subconscious understanding of space through repetition, and through analysis (by way of the line extensions).

Where the box challenge's line extensions helped to develop a stronger sense of how to achieve more consistent convergences in our lines, here we add three more lines for each ellipse: the minor axis, and the two contact point lines. In checking how far off these are from converging towards the box's own vanishing points, we can see how far off we were from having the ellipse represent a circle in 3D space, and in turn how far off we were from having the plane that encloses it from representing a square.

By applying those line extensions correctly throughout the set, you continually armed yourself with an accurate analysis of where your lines were converging correctly, and where they were off. You were then able to apply this going forward into your next page, gradually developing your overall sense of proportion in 3D space.

There are two main things I want you to keep an eye on for this exercise in the future:

  • Like in the previous section, be sure not to force any vanishing points to infinity. For example, number 172 appears to have been drawn without convergences. My assumption there could be wrong, as this could just be the result of things going awry - what you intended to do is what matters most, and the fact that this is one instance amongst many others that did feature convergence suggests that this may have merely been a slip-up, whereas with the cylinders around arbitrary minor axes it was frequent enough to be obviously intentional. Still, in the case that 172's considerably more parallel lines, I just wanted to shine some light on this as something to avoid, as outside of simply being incorrect, it also would make the line extensions considerably less useful.

  • I was going to call out instances of your sets of edges converging in pairs (rather than all four together), but upon looking more closely at your work, I think this is an issue that happened quite infrequently, and moreover it appears to be something you're showing clear signs of being aware of and attempting to address directly. So instead of calling this out as an issue, I will instead commend you on addressing it as purposely and intentionally as I can clearly see in your work.

So! You dropped the ball with the cylinders around arbitrary minor axes, but did a great job with the cylinders in boxes. I will need to assign revisions for the first part, but where my intent was to assign a full 150, I think we'll cut that in half instead.

Next Steps:

Please submit 75 additional cylinders around arbitrary minor axes, and be sure to review the instructions in full before doing so.

When finished, reply to this critique with your revisions.
11:08 AM, Tuesday September 5th 2023

I tried to read the section of the cylinder lessons over and over. I also watched both videos. Hopefully I corrected the problems from the first submission.

https://imgur.com/a/oXImEv0

5:17 PM, Thursday September 7th 2023

All in all, definitely moving much more in the right direction now. You will want to keep working on the alignment of those ellipses (both practicing this exercise as well as the funnels from Lesson 1 can help with this). Also, keep an eye on situations where with an ellipse with a wider degree, you may be more susceptible to misidentifying its alignment, as we can see here.

Along with that, do remember that when applying the ghosting method to your linework completely and correctly, we'd see the following:

  • For the straight lines, start/end points from the planning phase where you would have specifically identified the nature of the mark you wished to make, using that to help judge how you should rotate the page for a more comfortable angle of approach.

  • An absence of repeated marks like this one, as each mark would have to individually go through the planning/preparation/execution phases, giving you ample time to catch yourself before correcting a mistake.

It's quite normal to see students slip up on the use of the ghosting method at this stage, but it is critical that you keep pushing back to reinforce the habits involved. It won't be like that forever - it's simply within the bounds of this course, so that the manner in which you draw those lines instinctually can be rewired to include the kind of split-second consideration prior to execution that will improve the results even when you're not actively trying to apply the ghosting method. Of course, if we allow ourselves to work off those instincts during this course, we severely limit how much they can really be improved as a result, so be sure to apply the ghosting method as intentionally as you can for every freehanded mark throughout the remainder of this course.

Anyway, I'll go ahead and mark this challenge as complete.

Next Steps:

Move onto Lesson 6.

This critique marks this lesson as complete.
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