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4:09 PM, Monday July 31st 2023
Hi, I’m ZNorb and I’m going to do the 250 box challenge ciritique:
**Things you can work on:
-Some of your boxes (ex: 2,5,57,84,127,229,232,250) converge in pairs as shown in this image: https://i.imgur.com/KSHwTwo.png
It might help if you think of the relation of the lines as a set of angles of the shape in respective to the vanishing points that the box has. Here’s an example of what I’m saying: https://imgur.com/8PqQLE0
-Another mistake I see is that there are lines that diverge rather than converge (e.g.: 7,85,123,125,157,249), and there are boxes that converge in parallel (e.g.: 77, 109). The lines of the boxes should be touched at the vanishing point, here’s an example of what I’m trying to say about the divergence: https://imgur.com/mWLlnYl
-Although the lineweight is not a requirement of the challenge, it's a recommendation that you also work on it, and in future lessons they also talk about the lineweight ( https://imgur.com/OHvr7Mb https:///d15v304a6xpq4b.cloudfront.net/lesson_images/980a575e.jpg https://drawabox.com/lesson/250boxes/1/lineweight )
*-The key things we want to remember from this exercise is that the lines should converge in a set and not in pairs, neither diverge from the vanishing point nor make the box completely parallel
**Good things I’ve seen:
-I can see that the lines are made with confidence, lines doesn't have chicken scratching or arching
-You did not forget to make the hatching lines
-You did a good job doing a lot of different perspectives making boxes in many different ways. Experimenting is a very important habit that helps a lot when you want to learn a new skill, keep experimenting!
-Your boxes are getting a lot better and in your last half of boxes the divergences/parallel lines happen much less often
I will mark this lesson as complete, keep doing the boxes and the exercises from the previous lesson as a warmup
Good luck with lesson 2
Next Steps:
Lesson 2
Framed Ink
I'd been drawing as a hobby for a solid 10 years at least before I finally had the concept of composition explained to me by a friend.
Unlike the spatial reasoning we delve into here, where it's all about understanding the relationships between things in three dimensions, composition is all about understanding what you're drawing as it exists in two dimensions. It's about the silhouettes that are used to represent objects, without concern for what those objects are. It's all just shapes, how those shapes balance against one another, and how their arrangement encourages the viewer's eye to follow a specific path. When it comes to illustration, composition is extremely important, and coming to understand it fundamentally changed how I approached my own work.
Marcos Mateu-Mestre's Framed Ink is among the best books out there on explaining composition, and how to think through the way in which you lay out your work.
Illustration is, at its core, storytelling, and understanding composition will arm you with the tools you'll need to tell stories that occur across a span of time, within the confines of a single frame.