3:42 PM, Tuesday July 21st 2020
I do put points first, but I feel like I have to choose between hitting a straight line into these points or using my shoulder. I feel like I can't do both when I try to be accurate.
I do put points first, but I feel like I have to choose between hitting a straight line into these points or using my shoulder. I feel like I can't do both when I try to be accurate.
I think you are over thinking the shoulder part. As long as the elbow is not on the table and not restricting your shoulder, a strait line is a combination of the movement of the elbow and the shoulder. The wrist shouldn't do much though. Don't go locking in your elbow and making your arm stiff. After that, focus on making a strait line, and your body will do the rest. I hope that helps you
Maybe you're right. Thank you very much!
I found a video that illustrates it well : https://www.youtube.com/watch?v=YCqKY_2GcwI
Marshall Vandruff is a ubiquitous name in art instruction - not just through his work on the Draftsmen podcast and his other collaborations with Proko, but in his own right. He's been teaching anatomy, gesture, and perspective for decades, and a number of my own friends have taken his classes at the Laguna College of Art and Design (back around 2010), and had only good things to say about him. Not just as an instructor, but as a wonderful person as well.
Many of you will be familiar with his extremely cheap 1994 Perspective Drawing lectures, but here he kicks it up to a whole new level.
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