I'm glad you're getting feedback on Discord, but as I don't want other feedback to contaminate my critique, I won't actually be reading through it. That way I can be sure to mention everything I feel is worth mentioning without being worried about repeating things that may have already been pointed out. In the future, it's best not to include anything like that.

Starting with your arrows, you're doing a great job of having them flow smoothly and fluidly through space. One thing to keep in mind though is that while you've got perspective applying properly to the positive space of your arrow (the ribbon's width getting narrower as we look farther away), it should also be applying to the negative space (the distances between the zigzagging sections) in the same manner. All distances nad spaces compress as they move farther away from the viewer.

For your organic forms with contour lines, you're moving in the right direction of maintaining simple sausage forms, though not all the way there just yet. Remember that you want to keep the ends equal in size as well as spherical. You have several cases where the sizes are different, and where one end tends to be more stretched out.

Another point to mention is that your contour ellipses and curves tend to maintain a consistent degree across the length of a given form. As shown here, the degree of your contour line represents the orientation of that cross-sectional slice relative to the viewer. This changes naturally along the length of a given form, getting wider or narrower.

Moving onto your texture analyses, while you're demonstrating excellent observational skills and attention to detail, you're still focusing very heavily on the use of outline and explicitly defining each and every textural form instead of relying on cast shadows to imply their presences as explained here. You can also read about the use of explicit vs. implicit textural techniques in these notes from the lesson.

While you are using solid black shapes, you're primarily just filling in negative spaces, and not actually relating those shapes to the shadows cast by the forms present on the surfaces. Your outlines also tend to block off each textural element, enclosing them completely and making it impossible to actually transition from one level of density to another without a significant jump.

One thing you missed entirely was that the first texture of this exercise assignment was to be crumpled paper. This is specifically because it forces you to figure out how to divide sections into solid black shapes, which helps students to focus less on the use of lines. Since you skipped out on it, you ended up at something of a disadvantage here.

Through your dissections you continue to demonstrate wonderful attention to detail, but also continue to rely on outlines for your textural forms. Admittedly this concept is a tricky one at first, and I only mean to introduce students to the challenge here - I don't expect students to be able to nail it right out of the gate, so you will not be asked to redo these exercises. Do however pay more attention to the instructions, especially when it comes to which exercises are being assigned and the particular requirements involved.

Moving ahead to your form intersections, you've got a great start on constructing forms that feel cohesive and consistent within the same space. You're also exploring the relationships between those forms in space nicely - there are some intersections that aren't quite right but this is entirely expected. It's the introduction of a concept that we will continue to explore through the entirety of this course, so you'll continue to get better at some of the trickier intersections as we continue on.

Lastly, your organic intersections came out quite well. They do a good job of capturing how we're looking at solid, three dimensional forms rather than 2D shapes on a page. You're also selling how gravity applies to them, causing them to slump and sag over one another in a believable fashion.

All in all, your work here is coming along well. There are definitely areas that can be improved, but they will be with continued practice as you move ahead. As such, I'll go ahead and mark this lesson as complete.