0 users agree
8:11 PM, Thursday April 22nd 2021
edited at 8:30 PM, Apr 22nd 2021

Starting with your arrows, these are looking good. The linework is smooth and confident, and they move fluidly through space.

Continuing onto your leaves, to start, while you are drawing these with a fair bit of confidence and fluidity as well, I think the fact that you ended up drawing them pretty small on the page did end up hindering you somewhat. When we draw smaller, we tend to make it more difficult for our brains to solve spatial problems (especially as beginners), and it also makes it more difficult to engage our whole arm while drawing, making our linework somewhat clumsier. You've definitely got that sort of flow, but it's not nearly as confident as your larger arrows were.

It also appears that you didn't really explore any more complex edge detail (step 3 in these instructions). That means you missed out on practicing how you might build upon the structure you'd placed down. I'm definitely happy to see how enthusiastic you were to fill that page up, but your first priority is always going to be to explore each exercise fully, and to follow the instructions as they're written. Textural detail is optional, but it's beneficial to explore how you might work in the more complex edge variation.

Continuing onto your branches, again - drawing these bigger will definitely help. There are a few other things that jumped out at me:

  • It looks like you're drawing all of your ellipses at roughly the same degree. Don't forget that the degree will change depending on the position and orientation of a given circular cross-section in space, as explained here in the newer ellipses video from lesson 1 (although this is brought up in Lesson 2 as well).

  • Also, make sure that you're extending all of your segments fully halfway to the next ellipse, as shown here. It looks like you do this sometime, but more often you only extend them slightly past the previous ellipse, resulting in much less of an overlap. That overlap's important because it helps us transition more smoothly and seamlessly from one ellipse to the next.

Overall, I really think you need to be slowing down a little, drawing less and thinking more about each and every mark you put down on the page. Like I said before, your enthusiasm and eagerness to learn is definitely there, and while drawing a lot is certainly important, it's really easy to let that enthusiasm get ahead of us. Make sure you're following the instructions to the letter, and review them frequently if you're prone to forgetting things.

Moving onto the plant constructions, the whole quantity-over-quality thing does still stand, but another major point for you to keep in mind is that it's important that you draw through your forms. This basically means, instead of cutting your petals and leaves off where they're overlapped by another, you draw each and every leaf/petal in its entirety. That allows us to understand how each form exists in 3D space, and how they relate to one another within that space. So for example, note how in the daisy demo, I drew each petal completely, even though it got a little visually cluttered.

Each of these drawings are, at their core, exercises in understanding how forms sit in space, and how they relate to one another - not just about drawing pretty drawings. So we follow specific rules/approaches in order to maximize the effectiveness of those exercises. We could just say "draw a bunch of pages of plants and flowers" but that wouldn't necessarily get us any further along in the specific areas we're training here.

Now, I think the best thing to do here is to have you go through the lesson again. It's not that you've done everything wrong, but the things you're doing right are just kind of rushed and sloppy, and therefore aren't done to the best of your current ability. In your enthusiasm, you prioritized quantity, and so what we're seeing here doesn't actually show what you can do when you take your time on each and every mark, applying the ghosting method and really pushing yourself to your limit.

So, do the lesson again, and when you're done, post it as a new submission. This will cost you an additional 2 credits, but I'll give you a full critique from head to toe as well. Remember - it's not about drawing as much as you can. It's totally fine to draw just one plant per page, if it comes to it, as long as you're giving each plant as much of your time as it needs, and as much space as it requires.

Edit: I forgot to mention - definitely make sure you draw along with the demonstrations. Following along with the steps will help you better understand the mindset behind how we approach these exercises.

edited at 8:30 PM, Apr 22nd 2021
5:25 PM, Saturday May 8th 2021
edited at 5:26 PM, May 8th 2021

I resubmitted the homework.

edited at 5:26 PM, May 8th 2021
6:28 AM, Saturday April 24th 2021

Ok, so I have to draw bigger, draw through and draw along the demonstrations. Got it.

The recommendation below is an advertisement. Most of the links here are part of Amazon's affiliate program (unless otherwise stated), which helps support this website. It's also more than that - it's a hand-picked recommendation of something I've used myself. If you're interested, here is a full list.
Drawabox-Tested Fineliners (Pack of 10, $17.50 USD)

Drawabox-Tested Fineliners (Pack of 10, $17.50 USD)

Let's be real here for a second: fineliners can get pricey. It varies from brand to brand, store to store, and country to country, but good fineliners like the Staedtler Pigment Liner (my personal brand favourite) can cost an arm and a leg. I remember finding them being sold individually at a Michael's for $4-$5 each. That's highway robbery right there.

Now, we're not a big company ourselves or anything, but we have been in a position to periodically import large batches of pens that we've sourced ourselves - using the wholesale route to keep costs down, and then to split the savings between getting pens to you for cheaper, and setting some aside to one day produce our own.

These pens are each hand-tested (on a little card we include in the package) to avoid sending out any duds (another problem with pens sold in stores). We also checked out a handful of different options before settling on this supplier - mainly looking for pens that were as close to the Staedtler Pigment Liner. If I'm being honest, I think these might even perform a little better, at least for our use case in this course.

We've also tested their longevity. We've found that if we're reasonably gentle with them, we can get through all of Lesson 1, and halfway through the box challenge. We actually had ScyllaStew test them while recording realtime videos of her working through the lesson work, which you can check out here, along with a variety of reviews of other brands.

Now, I will say this - we're only really in a position to make this an attractive offer for those in the continental United States (where we can offer shipping for free). We do ship internationally, but between the shipping prices and shipping times, it's probably not the best offer you can find - though this may depend. We also straight up can't ship to the UK, thanks to some fairly new restrictions they've put into place relating to their Brexit transition. I know that's a bummer - I'm Canadian myself - but hopefully one day we can expand things more meaningfully to the rest of the world.

This website uses cookies. You can read more about what we do with them, read our privacy policy.