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9:55 PM, Wednesday October 18th 2023
First of all, congratulations on completing Lesson 1!
Page 1-3: Your lines look good. They consistently start on one end, and they look confidently drawn to the other end, even if there was some fraying. I did notice some of the longer lines arched a little bit. This might be due to not drawing from the shoulder.
Page 4-5: I noticed some wobble. Specifically, the lines drawn on the left side of the box. Remember it is better to draw lines that are confident, rather than accurate.
Page 6: Funnels - good job keeping the ellipses symmetrical. However, the ellipses look a little wobbly.
Page 7-8: Table of Ellipses looks good.
Page 9-10: Ellipses in Planes - for the most part, looks good. Your ellipses touch all four sides of the plane. However, I do see some wobble.
Page 11: Plotted Perspective - looks good.
Page 12-13: Rough Perspective - good job in getting your boxes to head towards the vanishing point. Remember to draw your lines confidently, and do not repeat lines.
Page 14-16: Rotated Boxes and Organic Perspective - looks good
Next Steps:
Half a page of funnels to iron out the wobbles in the ellipses section.
2:37 PM, Thursday October 19th 2023
Thank you so much for the critique! I've attached a link to my new funnels below:
https://drive.google.com/file/d/12caxqOQrRWHAj4ncOlVLXTlKEJtw9-dP/view?usp=sharing
Kindly let me know if I need to make any other revisions or if I am ready to proceed to the next section.
4:47 PM, Monday October 23rd 2023
Looks good, the funnels look a lot better and are more consistent in shape! Good work! Marking as complete.
Next Steps:
You can move on to the 250 Box Challenge. :)

Framed Ink
I'd been drawing as a hobby for a solid 10 years at least before I finally had the concept of composition explained to me by a friend.
Unlike the spatial reasoning we delve into here, where it's all about understanding the relationships between things in three dimensions, composition is all about understanding what you're drawing as it exists in two dimensions. It's about the silhouettes that are used to represent objects, without concern for what those objects are. It's all just shapes, how those shapes balance against one another, and how their arrangement encourages the viewer's eye to follow a specific path. When it comes to illustration, composition is extremely important, and coming to understand it fundamentally changed how I approached my own work.
Marcos Mateu-Mestre's Framed Ink is among the best books out there on explaining composition, and how to think through the way in which you lay out your work.
Illustration is, at its core, storytelling, and understanding composition will arm you with the tools you'll need to tell stories that occur across a span of time, within the confines of a single frame.