Hello and congrats on completing lesson one. My name is Rob and I'm a teaching assistant for Drawabox who will be handling your lesson one critique. I myself was in the exact situation as you where I started over at lesson 4 to get official feedback and it ended up being a great choice. Starting with your superimposed lines these are off to a fine start. You are keeping a clearly defined starting point with all of your wavering at the opposite end. Your ghosted lines and planes turned out well. You are using the ghosting method to good effect to get confident linework with a pretty decent deal of accuracy that will get better and better with practice.
Your tables of ellipses are coming along pretty good. You are doing a good job drawing through your ellipses and focusing on consistent smooth ellipse shapes. This is carried over nicely into your ellipses in planes. It's great that you aren't overly concerned with accuracy and are instead focused on getting smooth ellipse shapes. Although accuracy is our end goal it can't really be forced and tends to come with mileage and consistent practice more than anything else. Your ellipses in funnels are having some slight issues with tilting off the minor axis. https://drawabox.com/lesson/1/13/notaligned This is something you should always start considering when drawing your ellipses Your ellipses are off to a great start but there's still room for improvement when it comes to accuracy so keep practicing them during your warmups.
The plotted perspective looks great, nothing to mention here. Your rough perspective exercises turned out good. It's great that you are keeping up with the confident linework on these. You are also doing a good job extending the lines back on your boxes to check your work. As you can see some of your perspective estimations were off but that will become more intuitive with practice. One thing that can help you a bit when doing a one point perspective exercise like this is to realize that all of your horizontal lines should be parallel to the horizon line and all of your verticals should be perpendicular(straight up and down in this case) to the horizon line. This will help you avoid some of the slanting lines you have in your constructions.
Your rotated box exercise turned out pretty well. I like that you drew this nice and big as that really helps when dealing with complex spatial problems. You also did a good job drawing through your boxes and keeping your gaps narrow and consistent. You are running into a pretty common issue of not actually rotating your boxes in some cases but instead simply drawing them moving back in perspective. https://drawabox.com/lesson/1/16/notrotating This is a great exercise to come back to after a few lessons to see how much your spatial thinking ability has improved. Your organic perspective exercises are looking quite good. You seem to be getting comfortable using the ghosting method and drawing from your shoulder for confident linework which is great. Your box constructions are solid for the most part and you seem well prepared for the 250 box challenge
Overall this was a really solid submission that showed a nice deal of growth which makes sense considering you've worked through this material before. Your line confidence and ellipses are both coming along nicely. I think you are understanding most of the concepts these lessons are trying to convey quite well. I'm going to mark this as complete and good luck with the 250 box challenge. Keep up the good work!
Next Steps:
The 250 Box Challenge
Thank you for reviewing my homework.
Before starting over I made a thread on reddit to ask if I had to start over if I wanted to receive official critiques. I was told that I could post my existing 250 Box challenge with another 50 boxes added after I received my critique for lesson one. I wanted to confirm whether I can do that or not. Here's the link to the post I mentioned:
Yep, since you got the okay from Uncomfortable you can do that. Your boxes were looking quite solid in the lesson one submission so I don't think you need to redo the 250 box challenge. Your original submission with another 50 is fine.
Here we're getting into the subjective - Gerald Brom is one of my favourite artists (and a pretty fantastic novelist!). That said, if I recommended art books just for the beautiful images contained therein, my list of recommendations would be miles long.
The reason this book is close to my heart is because of its introduction, where Brom goes explains in detail just how he went from being an army brat to one of the most highly respected dark fantasy artists in the world today. I believe that one's work is flavoured by their life's experiences, and discovering the roots from which other artists hail can help give one perspective on their own beginnings, and perhaps their eventual destination as well.
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