Hello and congrats on completing lesson one. My name is Rob and I'm a teaching assistant for Drawabox who will be handling your lesson one critique. Starting with your superimposed lines these are off to a fine start. You are keeping a clearly defined starting point with all of your wavering at the opposite end. Your ghosted lines and planes turned out well. You are using the ghosting method to good effect to get confident linework with a pretty decent deal of accuracy that will get better and better with practice.
Your tables of ellipses are coming along well. You are doing a good job drawing through your ellipses and focusing on a consistent smooth ellipse shape. This is carried over nicely into your ellipses in planes although you are deforming some of your ellipses at times. https://drawabox.com/lesson/1/17/deformed You are compromising your overall ellipse shape by adjusting for accuracy midstroke. Try and rely a bit more on the muscle memory of the motion you build up while ghosting and almost make your mark without thinking. This will be less accurate at first. Although accuracy is our end goal it can't really be forced and tends to come through mileage and consistent practice more than anything. Your ellipses in funnels are having the same issues and you are also tilting your ellipses off the minor axis at times. https://drawabox.com/lesson/1/18/notaligned This is something you should always consider when drawing your ellipses. I've noticed in a few places you didn't draw through your ellipses. https://drawabox.com/lesson/1/16/drawingthrough So this is just a reminder that you need to draw through EVERY single ellipse you draw for all of these lessons. Even if you think you got it right the first time.Your ellipses are off to a good start but there is room for improvement when it comes to your ellipses both in terms of overall consistency of shape and smoothness so make sure you keep practicing these in your warmups as they can take a while to get used to.
The plotted perspective looks great, nothing to mention here. Your rough perspective exercises turned out okay. You are getting a mix of confident linework here along with some wobble creeping back into some of your lines. https://drawabox.com/lesson/1/13/wobbling This is probably happening because you are more concerned with accuracy now that you are constructing boxes and you are slowing down your stroke to compensate. That hesitation because of your concern for accuracy while making your mark is what is reintroducing the wobble into your lines. Try and rely a bit more on the muscle memory you build up while ghosting your mark and almost make your mark without thinking. This will be less accurate at first but will give you consistently smooth and confident linework which is our first priority. Accuracy will come with mileage and can't really be forced. You are doing a good job extending the lines back on your boxes to check your work. As you can see some of your perspective estimations were quite off but that will become more intuitive with practice. You are running into some fairly severe issues with slanting legs on your boxes so one thing that can help you a bit when doing a one point perspective exercise like this is to realize that all of your horizontal lines should be parallel to the horizon line and all of your verticals should be perpendicular(straight up and down in this case) to the horizon line. This will help you avoid some of the slanting lines you have in your constructions.
Your rotated box exercise turned out decently. I like that you drew this nice and big as that really helps when dealing with complex spatial problems. You did a good job drawing through your boxes but one of the reasons this exercise started to fall apart on you is because you didn't keep the gaps between your boxes narrow and consistent. https://drawabox.com/lesson/1/21/guessing Keeping the gaps narrow and consistent really helps with inferring information about neighboring boxes rotation and proportion. You're obviously struggling a bit with the rotations for this exercise which is perfectly normal given the difficulty. The more you draw and develop your spatial thinking ability the easier these rotations are to handle. This is a great exercise to come back to after a few lessons to see how much your spatial thinking ability has improved. Your organic perspective exercises are looking pretty good. You seem to be getting comfortable using the ghosting method and drawing from your shoulder for confident linework which is great. Your box constructions are quite wonky throughout this exercise and you need to develop a better sense for how box lines converge to vps so the 250 box challenge will be a great next step for you.
Overall this was a solid submission that showed a good deal of growth. Your line confidence is coming along nicely but keep practicing ellispes during your warmups as they are definitely a bit stiff and misshapen at times and make sure to always draw through your ellipses. Otherwise, I think you are understanding most of the concepts these lessons are trying to convey quite well. I'm going to mark this as complete and good luck with the 250 box challenge. Keep up the good work!
Next Steps:
The 250 Box Challenge
While I have a massive library of non-instructional art books I've collected over the years, there's only a handful that are actually important to me. This is one of them - so much so that I jammed my copy into my overstuffed backpack when flying back from my parents' house just so I could have it at my apartment. My back's been sore for a week.
The reason I hold this book in such high esteem is because of how it puts the relatively new field of game art into perspective, showing how concept art really just started off as crude sketches intended to communicate ideas to storytellers, designers and 3D modelers. How all of this focus on beautiful illustrations is really secondary to the core of a concept artist's job. A real eye-opener.
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