Hey there, TA Meta here to look over your work, so let's get started.

Beginning with your superimposed lines, these are looking nice and confident. It's good to see that you've taken the time to line your pen up with the starting point, thus limiting the fraying to one end of the line. It's also great to see that you've accepted the trajectory of your lines once you've started drawing, rather than trying to kind of jerk your arm back into line. Next, your ghosted lines and planes are looking straight and confident as well, though I could see a few more jitters in your ghosted lines than in the planes, which suggests you probably just needed the little extra mileage to nail that down.

Similarly, your tables of ellipses are looking quite confident. It's great to see you've packed them in there nice and tightly and drawn through them 2-3 times. I did notice a few oddities in the ellipses particularly towards the bottom and edges of the page, so do remember that you can rotate your page as much as you want to find a comfortable angle for your ellipses.

Next, your ellipses in planes are looking quite confident. You've prioritised confidence over accuracy here for the most part, which is what we like to see, and the second page in particular is really well done.

Finally, your funnels look quite good, you've managed to align your ellipses to the minor axis pretty well, with most of them splitting your ellipses straight down the middle (or as close to it accounting for the angle of the lines). I did notice here that your ellipses are far less confident, so make sure that you prioritise this when you practice these exercises in your warm-ups.

Onto your rough perspective now and you've done a pretty good job keeping your horizontals parallel and verticals perpendicular the horizon line. You're definitely conscious of that on your rear planes as well which is good, but there are occasions where the lines converging towards the vanishing point don't hit the corner of that plane. I also noticed your line confidence here suffered quite a bit, and we see this a lot with students when they're first asked to take their lines and turn them into boxes. It can be quite overwhelming, because there's so much to think about! That's okay and perfectly natural, but we should be taking that uncertainty and turning it into planning and preparation, usually by laying down non-committal dots, and then executing each line with confidence.

Next, your rotated boxes are looking pretty good! You've done a great job keeping the gaps between your boxes consistent which has allowed you to achieve quite a bit of rotation. There's a few spots on the outer layer that aren't rotated perhaps as much as they could be, but that's fine, these last two exercises are intended as an introduction to new kinds of problems and we don't expect students to be able to nail them for quite a while. One last thing I noticed was that you went a little overboard with the line weight, which makes your rotated boxes look kind of thick and heavy. Even though it's not mentioned in the lesson itself, you should try to be more subtle with your line weight so as not to break the illusion of solidity on your boxes.

Finally, your organic perspective is looking good! I particularly like the second page, as you've varied up the size of the boxes a lot more which has created more dynamic compositions that explore the possibilities of the 3D space you've created for them. There are some divergence issues in your boxes, but this is something that our students get to work on nailing down in the 250 box challenge.