You have nice aligning curves in yours, but a few them aren't aligned as neatly which throws the viewer off. I tried to show it in the notes where I thought your curves are strong and where it could use improvement. Also, adding some lines in the creases can help identify where the arrow is curving. And careful with the arrowhead...I think you elongate the arrowhead too much. Hopefully this helps.
hey thanks for the help! yeah i have a huge trouble with trying to replicate an identical curve underneath, i try to go quick so its a smooth line but i cant draw the line super slow or ill wobble if that makes sense? im not sure how to get a smooth line and also make sure its alligned correctly at the same time?
Try to draw confidently rather than quick or slow and always keep your eyes on the line your are following not your hand. You will always be aware of where your hand is peripherally.
okay i see, so its just a matter of practicing a lot? i wasnt sure if it was my hand-eye cordination going out of sync or something im not sure so i was kinda feeling pretty hopeless after a few days of practice lol....
would it be feasible to go slow at first to align my curves and work my way up to more confidently and quick lines?
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I'd been drawing as a hobby for a solid 10 years at least before I finally had the concept of composition explained to me by a friend.
Unlike the spatial reasoning we delve into here, where it's all about understanding the relationships between things in three dimensions, composition is all about understanding what you're drawing as it exists in two dimensions. It's about the silhouettes that are used to represent objects, without concern for what those objects are. It's all just shapes, how those shapes balance against one another, and how their arrangement encourages the viewer's eye to follow a specific path. When it comes to illustration, composition is extremely important, and coming to understand it fundamentally changed how I approached my own work.
Marcos Mateu-Mestre's Framed Ink is among the best books out there on explaining composition, and how to think through the way in which you lay out your work.
Illustration is, at its core, storytelling, and understanding composition will arm you with the tools you'll need to tell stories that occur across a span of time, within the confines of a single frame.
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