10:18 PM, Sunday June 14th 2020
100% agree... line work looks great and your understanding of perspective is looking really good
100% agree... line work looks great and your understanding of perspective is looking really good
Hi EnchantressOfAether,
I hope you are well. I can see you put in great effort and followed the instructions really well. Your lines are looking really good too and you're executing with confidence which is super important in this lesson.
As you mentioned, the rotated boxes is tough (good thing you're dreaming about it lols). I did draw up a quick tip for you on how to adjust the boxes so that the edge boxes were rotated a bit better. You did quite well on the boxes on a string though which is tough!
I'd say you're good to go for the 250 box challenge. To your comment about being a beginner, you will exceed even the best of visual artists as long as you're persistent and always learning, so just keep going and if you really want it you'll have it.
Next Steps:
Move on to the 250 box challenge.
Hey Dyukunker, great effort on this lesson and glad you took your time drawing the boxes for the whole month, which helps the lessons stick better for you.
I would say given your progress you can move on to Lesson 2. I did notice you had a tendency to draw these really long boxes like 17 here or 230 here, which make it hard to test your convergences because the length of the side is so much longer than the other ones. I would say even though Uncomfortable doesn't make mention of not making one side much longer than the others, it is still possibly making your life harder in intuiting your perspective.
Either way, those final pages are looking good.
Next Steps:
Move on to lesson 2
really cool watching your progress and watching the boxes get better and better in such a short time frame.
Your exercises look great. Line quality is good and execution feels confident which is most important in this lesson.
i had one comment about the size & scaling of this set of boxes for boxes on a string. i dont get the feeling that the boxes are coming forward toward me because the box sizes didnt vary enough. otherwise I'd say go ahead and move on to the 250 box challenge.
Next Steps:
Move onto the 250 box challenge.
Great! Keep the ghosting motions in mind and keep moving forward :D
Next Steps:
Move to the 250 box challenge
Thank you for the feedback! I appreciate you taking the time. I agree I looked at some of the exercises after and things felt wobbly. I tried to use line weight to emphasize things which is why the repeated lines thing keeps happening.
I think the textures lesson got updated after I finished it and there was a mention of not using hatching, but I didn't realize beforehand lols.
Hi Fourfiftyfour,
I hope you are well. You're looking good with your submission. I would say that you can move on.
As one side comment, I did notice a bit of line wobbliness in your rough perspective exercise. Your line quality is excellent otherwise.
Next Steps:
Move on to the 250 box challenge.
Hi Veksart,
I hope you are well. Your exercises look good, I think you followed them closely to the instructions. I did want to comment that in the funnels exercise, your innermost ellipse is much, much smaller in degree than the other ellipses. Try to make them more even in degree. Otherwise no comments.
Next Steps:
Move on to the 250 box challenge!
Hey Fonzos,
actually your english sounds good even though it's from Google Translate! I can understand just fine lol.
I am well, luckily still working during the coronavirus crisis and I am financially stable during this time too. Hope the same for you.
Next Steps:
After you finish the revisions, go ahead and move on to the 250 box challenge.
Some of you may remember James Gurney's breathtaking work in the Dinotopia series. This is easily my favourite book on the topic of colour and light, and comes highly recommended by any artist worth their salt. While it speaks from the perspective of a traditional painter, the information in this book is invaluable for work in any medium.
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